Father Travis leaned back. I glanced up at him. He was watching us from under his brow, his hands folded in his lap. His eyes had taken on that cybor… - Louise Erdrich

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Father Travis leaned back. I glanced up at him. He was watching us from under his brow, his hands folded in his lap. His eyes had taken on that cyborg gleam. His cheekbones looked like they were going to break right through his skin. Not only did he own a copy of Alien, not only did he have an amazing and terrible wound, but he had called us humiliating names without actually resorting to the usual swear words. Besides that there was the deft speed with which he’d caught Angus, the free weights beside the television, the fancy Michelob. It was almost enough to make a boy want to be a Catholic.

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About Louise Erdrich

Louise Erdrich (born Karen Louise Erdrich June 7, 1964) is an American author, novelist, poet, and children's author who features Native American themes in her writings. She is an enrolled member of the Turtle Mountain Band of Chippewa Indians, a federally recognized tribe of Ojibwe people.

Biography information from Wikiquote

Also Known As

Alternative Names: Karen Louise Erdrich
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Additional quotes by Louise Erdrich

But then as time passed, I learned the lesson that parents do early on. You fail sometimes. No matter how much you love your children, there are times you slip. There are moments you can't give, stutter, lose your temper, or simply lose face with the world, and you can't explain this to a child. (p236)

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(Q: Are you concerned that being labelled a "Native American writer" or a "woman writer" might result in your being marginalized? Do you object to those labels?) Erdrich: I think they originate in course descriptions and that there is some use in them. If the work survives, perhaps they'll fall away. If not, there isn't much I can do about it. After all, I don't think we read George Eliot, Jane Austen, Virginia Woolf, or Flannery O'Connor as "women writers" anymore, but as vital voices of their time. I know that, for instance, Toni Morrison will be read in this fashion. She is already. The point we're striving for is one at which the criteria for the work is its worth to readers, its excellence, the qualities that shine out and endure. (1993)

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