As Bruno neared, Stolarsky stepped from behind the door. His feet and legs were bare. He held a pistol, loosely, and wore nothing but a thin T-shirt.… - Jonathan Lethem

exemplified the dull rigidity of Singapore’s old colonial fantasies about itself.

The world was ersatz and actual, forged and faked, by ourselves and unseen others. Daring to attempt to absolutely sort fake from real was a folly that would call down tigers or hiccups to cure us of our recklessness. The effort was doomed, for it too much pointed past the intimate boundaries of our necessary fictions.

We writers aren't sculpting in DNA, or even clay or mud, but words, sentences, paragraphs, syntax, voice; materials issued by tongue or fingertips but which upon release dissolve into the atmosphere, into cloud, confection, specter. Language, as a vehicle, is a lemon, a hot rod painted with thrilling flames but crazily erratic to drive, riddled with bugs like innate self-consciousness, embedded metaphors and symbols, helpless intertextuality, and so forth. Despite being regularly driven on prosaic errands (interoffice memos, supermarket receipts, etc.), it tends to veer on its misaligned chassis into the ditch of abstraction, of dream.