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" "The only valid thing in art is that which cannot be explained. To explain away the mystery of a great painting – if such a feat were possible – would be irreparable harm.. .If there is no mystery then there is no 'poetry', the quality I value above all else in art. What do I mean by 'poetry'? It is to a painting what life is to man.. .For me it is a matter of harmony, of rapports, of rhythm and – most important for my own work – of 'metamorphosis'
Georges Braque (13 May 1882 – 31 August 1963) was a French painter and sculptor. He was one of the French Fauve painters, circa 1906. From 1908 he initiated, in close cooperation with Pablo Picasso, the first step of Cubism.
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What particularly attracted me [in his painting 'Still-life with Musical instruments', 1908 – 1909].. ..was the materialization of this new space that I felt to be in the offing. So I began to concentrate on still-life's, because in the still-life you have a tactile, I might almost say a manual space.. .This answered to the hankering I have always had to touch things and not merely see them. It was this space that particularly attracted me, for this was the first concern of Cubism, the investigation of space.. ..In tactile space you measure the distance separating you from the object, whereas in visual space you measure the distance separating things from each other. This is what led me, long ago, from landscape to still-life.
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