Forgive me of saying so, but good things just have to grow very slowly. I say this in connection with your [Doesburg's] plans.. ..for launching a jou… - Piet Mondrian

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Forgive me of saying so, but good things just have to grow very slowly. I say this in connection with your [Doesburg's] plans.. ..for launching a journal [ De Stijl. I do not think that the time is favourable for it. More must be achieved in art in that direction. I hardly know anyone who is really creating art in our style, in other words, art which has arrived.. ..(i.e. you will have to include in it [in the planned art-Journal '[[w:De Stijl|De Stijl'] what is not consistent with our ideas.)

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About Piet Mondrian

Pieter Cornelis "Piet" Mondriaan (after 1912: Piet Mondrian). (March 7, 1872 – February 1, 1944) was a Dutch painter starting in Dutch impressionism but soon started to develop abstraction from his landscape paintings. He became an inspiring leader of the De Stijl art movement and group, together with Theo van Doesburg. Mondrian proclaimed 'Neo Plasticism' as a completely new, Abstract art style.

Also Known As

Native Name: Pieter Cornelis (Piet) Mondriaan
Alternative Names: Mondrian Mondriaan Piet Cornelis Mondrian Piet Cornelies Mondrian Piet Mondriaan Pieter Cornelis Mondrian Pieter Cornelis Mondriaan
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Additional quotes by Piet Mondrian

[jazz and Neo-Plasticism are] highly revolutionary phenomena: they are destructive constructive. They do not destroy the actual content of form, but rather deepen form only in order to elevate it to a new order. They break the bonds of 'form as individuality' in order to make possible a universal unity.

With that work [Mondrian is referring to his figurative painting 'Devotion' he painted in 1908, of a devotedly looking girl] I only envisaged a girl conceived devotedly.. ..and by giving the hair that sort of red, to tone down the material side of things, to suppress any thoughts about 'hair', 'costume', etc, and to stress the spiritual. I believe that color and line can do much towards this end; moreover, I should not wish to do without line.. .It is precisely the overall line of a thing which I find fundamentally important, and also, the colour.

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The abstract human mind will have to receive the intended impression by its own means. I always confine myself to expressing the universal, that is, the eternal (closest to the spirit) and I do so in the simplest of external forms, in order to be able to express the inner meaning as lightly veiled as possible.

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