The features as reflected by the looking-glass betray that he is stripped of every possibility of a second or super-body — of the pompous body politi… - Ernst Kantorowicz

In other words, whenever we capitalize a notion and, in the English language, even change the gender from neuter to feminine, we actually are "haloing" the word or the notion and are indicating its sempiternity as an idea or power.

The jurists had claimed that the king's body politic is utterly void of "natural Defects and Imbecilities." Here, however, "Imbecility" seems to hold sway. And yet, the very bottom has not been reached. Each scene, progressively, designates a new low. "King body natural" in the first scene, and "Kingly Fool" in the second: with those two twin-born beings there is associated, in the half-sacramental abdication scene, the twin-born deity as an even lower estate. For the "Fool" marks the transition from "King" to "God," and nothing could be more miserable, it seems, than the God in the wretchedness of man.

In late antique art, we often find the halo bestowed on such figures as might impersonate a supra-individual idea or general notion. This special mark of distinction indicated that the figure was meant to represent in every respect a continuum, something permanent and sempiternal beyond the contingencies of time and corruption.