After Metropolis was forced to close, I was putting shows on wherever I could find a venue, not working in a particular club. And then on bigger show… - Susan Silver

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After Metropolis was forced to close, I was putting shows on wherever I could find a venue, not working in a particular club. And then on bigger shows I was doing production work, whether it was running or catering, working in the production office - different aspects of working for the biggest promoters in town. The shows that I was putting on were, at the time, very underground. Shows like Soul Asylum, Faith No More, Meat Puppets, Sonic Youth. I never worked for any record companies though. The only contact that I had with record companies was in the'70s, being an impressionable teenager and all the promotion people from the different record companies happened to live in this neighbourhood that I lived in. It was an easy call for me to say, "I wouldn't want to do that!" [laughing]. You have to remember the '70s were a strange time in history, let alone in music history.

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About Susan Silver

Susan Jean Silver (born July 17, 1958) is an American music manager, best known for managing Seattle rock bands such as Soundgarden, Alice in Chains and Screaming Trees. Silver also owns the company Susan Silver Management, and co-owns the club The Crocodile in Seattle.

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Alternative Names: Susan Jean Silver
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Additional quotes by Susan Silver

The shirtlessness? I never even thought about it. Honest to God, it's just what he does. Love is blind, I suppose. The female attention never fuffled me. I felt we had such security in our relationship then that it never occured to me. I remember a show in Philadelphia in the early '90s, some girl got on her boyfriend's shoulder and was screaming, "Chris, I wanna fuck you!" or some other equally poetic phrase. Come on. You're embarrassing out entire sisterhood here.

We are the hub of the wheel. Our job is to create a wheel around the bands, to make sure they have the best legal advice, live performance advice, video production advice, everything - even collecting the best accounting team. It's putting all those people in place, and once they are in place, then it's continuing to build on that foundation so their careers continue to go in a forward direction.

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Alice in Chains filmed the show at Moore theatre in 1990 and that was the show this new band Mookie Blaylock opened for them. Everyone was still reeling from Andy [Andrew Wood]'s death... and they hadn't really played out yet. The band came on and Chris [Cornell] carried Eddie [Vedder] onto the stage – he was on his shoulders. It was one of those super powerful moments, where it was all a big healing for everybody. He came out as this guy who had all the credibility in the world - in terms of people in Seattle - and Malfunkshun and Mother Love Bone were loved bands. Andy was such an endearing personality. It was a hard thing to do - to show up after people die. And Chris bringing Eddie out, and pointing at him, as much to say, 'This is your guy now.'

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