People believe what they need to believe. - Jonathan Lethem

Just handling this ocean of different books — new and used, in and out of print, famous and forgotten — it was literature as this giant mosaic of texts and experiments and attitudes. I think it’s just very liberating to break out of a great man’s theory of history.

I guess I’ve always liked working from that sense of — what would you call it? — license that the margins permit. I always just visualize myself writing books that were meant one day to be dusty, forgotten volumes being encountered by intrepid browsers in a used bookstore. It was a much less freighted way to think about trying to enter the conversation than to imagine I had to write The Great Gatsby.

First, however, and feeling real excitement at the thought, the good burst of adrenaline at last, Behringer wanted to dismantle the sockets and loosen his patient’s eyes.

The restaurant, Bongiorno's, was bad and didn't know it. Everything was presented with a passive-aggressive flourish, as though we probably weren't savvy enough to appreciate the oregano-heavy garlic bread, the individual bowls for olive pits, the starched napkins stuffed into our wineglasses, or the waiter's strained enunciation of a long list of specials.