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" "[Learning music theory] can spur your creativity. I’ve found that the guys who don’t know as much theory tend to write things in 4/4 most of the time. The guys who know theory are the ones who end up experimenting more and having music that sounds a little more out there, which I like. The more you know, the more you can mess around.
(born October 25, 1969) is an American musician best known as the bassist in the American band .
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We do not mind writing hooks, as long as they are super heavy hooks, you know what I mean? We want the songs to be memorable, as long as there is no sacrifice in the level of heaviness. [...] And those two things should not have to be exclusive. I think you can have really catchy things that are all really heavy. I mean if we can manage to write some lyrics that are going to make you want to remember them and sing along to them each time they come around, then mission accomplished I think right?
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Most Western music is people singing from the heart — singing to a girlfriend, so a lot of people are freaked out by our songs [...] But our lyrics are just stories. They’re just written to be as gross and disgusting as we could make them. At night we’d get a case of beer and watch gory horror movies. [...] We just play extreme music so we figured we needed extreme lyrics.