Sculpture communicates an immediate sense of life - you can feel the pulse of it. It is perceived, above all, by the sense of touch which is our earl… - Barbara Hepworth

I think all these new sculptors [after World War 2.] – he Anthony Caro is not all that young though – are taking stand against abominable architecture since the war and I think rightly so. But again I feel it's not enough to be against something. You have to do something that will damn well replace it. Where do you put these sculptures?.. .I like to think that time is timeless and I wouldn't want to make a work which wouldn't last for more than ten years – nor a work that wouldn't go anywhere. It would make me terrible mad. Mind you, I have to wait to find for my work. It doesn't happen all that easily, but it does happen. It slips in somewhere. Before the war the architects were very much one with the sculptors, painters, everybody. We thought alike. Then the war was over.. ..the architects gave up coming to look at sculpture and painting.

It is easy now to communicate with people through abstraction, and particularly so in sculpture. Since the whole body reacts to its presence, people become themselves a living part of the whole.

I have to dedicate myself. Do you understand? I don't feel conflict in myself because if I do, my work doesn't go well. If there's conflict I have to sit down or go to sleep to solve it. And the only way to solve the problem is to produce really affirmative work which can only come – I can't make it come. I can't conjure it up. I can only go to sleep and hope it happens.. .You have to digest it and if you digest you can contribute.