Chloe Green is going to put her first through a window. Usually when she has a thought like that, it means she's spiritually on the brink. But right … - Casey McQuiston

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Chloe Green is going to put her first through a window. Usually when she has a thought like that, it means she's spiritually on the brink. But right now, squared up to the back door of the Wheeler house, she's actually physically ready to do it. Her phone flashes the time: 11:27 a.m. Thirty-three minutes until the end of the late service at Willowgrove Christian Church, where the Wheelers are spending their morning pretending to be nice, normal folks whose nice, normal daughter didn't stage a disappearing act at prom twelve hours ago.
It has to be an act, is the thing. Obviously, Shara Wheeler is fine. Shara Wheeler is not missing. Shara Wheeler is doing what she does: a doe-eyed performance of blank innocence that makes everyone think she must be so deep and complex and enchanting when really, she's the most boring bore in this entire unbearably boring town.
Chloe is going to prove it. Because she's the only one smart enough to see it.

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About Casey McQuiston

Casey McQuiston (born January 21, 1991) is an American author of romance novels in the new adult fiction genre, best known for their New York Times best-selling debut novel Red, White & Royal Blue, in which the son of America's first female president falls in love with a prince of England, and sophomore book One Last Stop.

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Additional quotes by Casey McQuiston

Get some shoes, we're running," Zahra tells him. "Priority one is damage control, not feelings. He grabs a pair of sneakers, and they take off while he's still pulling them on, running west. His brain is struggling to keep up, running through about five thousand possible ways this could go, imagining himself ten years down the road being frozen out of Congress, plummeting approval ratings, Henry's name being scratched off the line of succession, his mother losing reelection on a swing state's disapproval of him. He's so screwed, and he can't even decide who to be the angriest with, himself or the Mail or the monarchy or the whole stupid country. He nearly crashes into Zahra's back as she skids to a stop in front of a door. He pushes the door open, and the whole room goes silent. His mother stares at him from the head of the table and says flatly, "Out." At first he thinks she's talking to him, but she cuts her eyes down to the people around the table with her. "Was I not clear? Everyone, out, now," she says. "I need to talk to my son.

"That's not your emails-from-Zahra face," Nora says, nosing her way over his shoulder. He elbows her away. "You keep doing that stupid smile every time you look at your phone. Who are you texting?" "I don't know what you're talking about, and literally no one," Alex tells her. From the screen in his hand, Henry's message reads, In world's most boring meeting with Philip. Don't let the papers print lies about me after I've garroted myself with my tie.

It's not a grudge, really. It's not even a rivalry. It's a prickling, unsettling annoyance. It makes his palms sweat. The tabloids- the world- decided to cast Alex as the American equivalent of Prince Henry from day one, since the White House Trio is the closest thing America has to royalty. It has never seemed fair. Alex's image is all charisma and genius and smirking wit, thoughtful interviews and the cover of GQ at eighteen; Henry's is placid smiles and gentle chivalry and generic charity appearances, a perfectly blank Prince Charming canvas. Henry's role, Alex thinks, is much easier to play.
Maybe it is technically a rivalry. Whatever.

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