When a book is explicitly about how marginalized culture and dominant culture interact, it’s much harder to stay detached and voyeuristic. If you’re … - Celeste Ng

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When a book is explicitly about how marginalized culture and dominant culture interact, it’s much harder to stay detached and voyeuristic. If you’re white, for instance, you may end up asking yourself hard questions: “What do I think about how these white characters—who resemble me—behave? Do I act this way? What’s my place in the system?” You’re asked to think in terms of the larger picture, and you can’t pretend that a marginalized group’s experience is totally separate and other from yours—because, in fact, it isn’t.

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About Celeste Ng

Celeste Ng (born July 30, 1980) is an American author.

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Fiction says, I believe that this could happen. It is prospective, focused on possibilities. It opens us to the possible, the hypothetical, rather than binding us to the actual. And this, more than anything, is why true stories alone aren’t enough, why we should recognize fiction and read it, why fiction is valuable. Without fiction, we might end up like the woman on the bus, unable to muster interest in anything that isn’t a True Story, that doesn’t come with shocking photographs. We would have no what ifs, only what dids. We would have nothing but the actual. And if we believe only in the actual, how small our lives would be, how limited and mean our humanity, to demand proof before we believe or conceive of suffering, loss, or strangeness.

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