One October afternoon Mrs Baker was having tea with Miss Verney and talking about the proposed broiler factory in the middle of the village where they both lived. Miss Verney, who had not been listening attentively, said, 'You know Letty, I've been thinking a great deal about death lately. I hardly ever do, strangely enough.' (beginning of the story "Sleep It Off, Lady")

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I think that the Anglo-Saxon idea that you can be rude with impunity to any female who has written a book is utterly damnable. You come and have a look out of curiosity and then allow the freak to see what you think of her. It's only done to the more or less unsuccessful and only by Anglo-Saxons. Well... if it were my last breath I'd say HELL TO IT and to the people who do it- (1936)

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It's funny when you feel as if you don't want anything more in your life except to sleep, or else to lie without moving. That's when you can hear time sliding past you, like water running. (Part two, 1st section)

There is no control over memory. Quite soon you find yourself being vague about an event which seemed so important at the time that you thought you'd never forget it. Or unable to recall the face of someone whom you could have sworn was there for ever. On the other hand, trivial and meaningless memories may stay with you for life. I can still shut my eyes and see Victoria grinding coffee on the pantry steps, the glass bookcase and the books in it, my father's pipe-rack, the leaves of the sandbox tree, the wallpaper of the bedroom in some shabby hotel, the hairdresser in Antibes. It's in this way that I remember buying the pink milanese silk underclothes, the assistant who sold them to me and coming into the street holding the parcel. (beginning of "On Not Shooting Sitting Birds")

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She could give herself up to the written word as naturally as a good dancer to music or a fine swimmer to water. The only difficulty was that after finishing the last sentence she was left with a feeling at once hollow and uncomfortably full. Exactly like indigestion. ("The Insect World")

Everyone does seem very pessimistic about the future of writing and art in general. But hasn't it always been a fight? I remember how very bitter most of the English in Paris were about that very subject ages ago. (1953)

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