The principal artists of the era of the revival of letters, such as Leon Baptista Alberti, Michael Angelo, Leonardo da Vinci, Albert Durer, with many… - Adolphe Quetelet

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The principal artists of the era of the revival of letters, such as Leon Baptista Alberti, Michael Angelo, Leonardo da Vinci, Albert Durer, with many others who what art ought to borrow from science, felt the necessity of resorting to observation, in order to rebuild in some sort the ruined monument of ancient artistical skill. They studied nature in a philosophical manner; sought to strike out the limits within which they ought to confine themselves in order to be truthlike... and from those profound studies which kept them ever before the face of nature, they deduced original views and new models, destined to distinguish for ever that celebrated age. The proportions of the human body did not alone attract their attention: anatomy, perspective, and chemistry, formed parts of their studies; nothing was neglected; and some of these great artists even gained for themselves a first place among the geometers of their day. Their successors have not devoted themselves to such serious studies, and hence it so frequently happens that they are reduced to content themselves, either with copying from those who went before them, or with working after individual models, whose proportions they modify according to mere caprice, without having any just or proper ideas of the beautiful.

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About Adolphe Quetelet

Lambert Adolphe Jacques Quetelet (or Quételet) (22 February 1796 – 17 February 1874) was a Belgian astronomer, mathematician, statistician and sociologist. He founded and directed the Brussels Observatory and was perpetual secretary of the Royal Academy of Brussels. Quetelet was influential in introducing statistical methods to the social sciences.

Also Known As

Alternative Names: Lambert Adolphe Jacques Quetelet Quételet Quetelet Adolphe Lambert Jacques Quetelet
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It is of primary importance to keep out of view man as he exists in an insulated, separate, or in an individual state, and to regard him only as a fraction of the species. In thus setting aside his individual nature, we get quit of all which is accidental, and the individual peculiarities, which exercise scarcely any influence over the mass, become effaced of their own accord, allowing the observer to seize the general results.

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This reaction of man upon himself, is one of his noblest attributes; it offers, indeed, the finest field for the display of his activity. As a member of the social body, he is subjected every instant to the necessity of these causes, and pays them a regular tribute; but as a man, employing all the energy of his intellectual faculties, he in some measure masters these causes, and modifies their effects, thus constantly endeavouring to improve his condition.

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