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What Witzel actually does is as follows: he draws up a geographical picture for each MaNDala of the Rigveda; and then, on the principle “the more wes… - Shrikant G. Talageri
" "What Witzel actually does is as follows: he draws up a geographical picture for each MaNDala of the Rigveda; and then, on the principle “the more western the geography of a MaNDala, the older the MaNDala”, he prepares a chronological grid arranging the MaNDalas in such a way as to show a movement from west to east. “Pedigrees of chiefs and poets” play no role at all in this chronological grid!... What is more, even the geographical picture for each MaNDala, as drawn up by Witzel, is based on the manipulation and misinterpretation of geographical data, manipulated to show this movement.
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About Shrikant G. Talageri
Shrikant Talageri, born in 1958, was educated in Mumbai where he lives and works. He has devoted several years, and much to study, to the theory of an Aryan invasion of India, and interpreted the Vedas with the help of the internal chronology of Rig vedic Rishes within Rig Veda with the help of genealogical records Anukramanis.
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Additional quotes by Shrikant G. Talageri
To sum up, Oldenberg’s principles do not affect my analysis at all. His principles are undoubtedly important, but not in demarcating “original” hymns from “interpolated” ones: as we saw, hymn 6.45, which is a late “interpolated” hymn as per (Witzel’s interpretation of) Oldenberg’s principles, proves to be linguistically very archaic, and hymns 6.3,24,25,28, which are similarly “original” hymns, abound in late words. Oldenberg’s (or rather, Witzel’s) numer(olog)ical division therefore cuts across another division which could be established on the basis of linguistic analysis. And both these divisions become irrelevant when the data in these hymns is examined from a historico-geographical point of view, since all the hymns in any given Mandala are historically and geographically homogenous. .... Therefore, neither Oldenberg’s numerical principles, nor linguistic strata discernible in the hymns, can negate the fact that the RV we have today is, for all practical purposes, the “original” RV, and my historical analysis is an “invincible” analysis of the emphatically right Rigveda text.
In my earlier book on the Rigveda, I examined the Rigvedic data in detail, and showed that the chronological order of the ten Books of the RV is: 6,3,7,4,2,5,8,9,10, with different parts of Book 1 covering the periods of all but the three earliest Books. I also showed in systematic detail that Family Books 6, 3 and 7 belong to the Early period, Family Books 4 and 2 to the Middle period, and the rest (Book 5 among the Family Books, and all the other, ie. non-family, Books, 8, 9 and 10, and most of Book 1) belong to the Late period
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To begin with...: “a) Each Mandala (or upam). contains hymns ascribed to the descendants of earlier mandalas (or upam.s), or the ancestors of later mandalas (or upam.s). b) Each Mandala (or upam.) contains references to composers from earlier or contemporaneous mandalas (or upam.s)” And “in not one of these respects do we find the allegedly ‘concocted’ Anukramani ascriptions …. differing from the allegedly ‘original’ ascriptions”.
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