I wasn’t attracted to the sixteen year old. There’s nothing wrong with being sixteen, you’re wonderful, you’re beautiful. You’re beautiful, just like… - Tegan and Sara

And we're going to make billions of dollars, and we're going to buy an island, one of the ones that have unicorns on them. We talk about unicorns a lot because I found out while we were recording the record that I did not understand that unicorns never existed, I just thought they were extinct. And then everybody laughs because everyone's first thought when they think of a unicorn is the idea that it's a mythical creature but I didn't ever think that way. I was just like, it's a white horse with a horn...

When I wrote this song I felt pretty unoriginal because everybody writes love songs and everybody feels like their love's the most important, and when their love ends and they get their heart broken, that nobody understands, and that's ridiculous... but so am I.

When Sara's singing about laying in bed with a pile of books between her and her girlfriend, that hurts. Whereas I'm like, 'Screw you.' I've got all the teenagers in the audience, with songs like 'Nineteen,' 'Hop A Plane,' 'Speak Slow.' But 'Floor Plan' comes on, and Sara's singing about wanting her partner's lungs to stop working without her, and that's where the depth in our music is really at. I think that balance in our songwriting is what distinguishes us.