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" "On the western side is the shrine of Achil-eswar, the tutelary divinity of Aboo. There is nothing striking as to magnitude, and still less as to decoration, in this, but it possesses a massive simplicity which guarantees its antiquity. It occupies the center of a quadrangle, surrounded by smaller fanes, alike primitive in form, and built of blocks of blue slate. But it is the object of worship which confers celebrity, being nothing less than the great toe of the devil, for so we must translate Patal-eswar, the Lord of Hell. On entering, the eye is attracted by a statue of the mountain nymph, Mera, the wife of this multiform divinity, which, at first sight, appears to be the object of adoration; and it is only on stooping to look into a deep fissure of the rock, termed the Brimh-khar, that the bright nail of Siva is visible, which has attracted homage from myriads of votaries from the remotest ages. In front of the temple is a brass bull, of colossal size, bearing the marks of violence on his flanks, the hammer of the barbarian having penetrated them in search of treasure, Mahomed Beyra, Padsha or king of Ahmedabad, has the credit of this sacrilege; but whether it was rewarded by the discovery of any secret hoard, is not told: though the legend details the manifestation of Siva’s wrath upon the “barbarian king” for the ill-treatment of his favorite. In descending from Aboo, after the reduction of Achilgurh, his banners “fanned by Conquest’s crimson wing,” confusion waited on them from an unlooked-for source. A legion of bees, issuing from their pinnacled retreats, attacked and pursued the invaders even to Jhalore. To commemorate this victory over the spoiler, the name of Bhomar-t’hal, or ‘Bees Valley,’ was given to the spot. A temple was erected, and from the captured arms thrown away in their flight, a vast tridanta (trident) was formed, and placed in front of the divinity who thus avenged the insult to Nanda.
Lieutenant-Colonel James Tod (20 March 1782 – 18 November 1835) was an English-born officer of the British East India Company and an Oriental scholar. He combined his official role and his amateur interests to create a series of works about the history and geography of India, and in particular the area then known as Rajputana that corresponds to the present day state of Rajasthan, and which Tod referred to as Rajast'han.
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The temple of Vrishabdeva stands isolated in the center of a quadrangular court, the length of which, from east to west, is about one hundred and eighty feet, and the breadth one hundred feet. Along its internal faces are ranges of cells, nineteen on the larger, and ten on each of the smaller sides, each cell being of uniform dimensions…. The whole is of pure white marble, every column, dome, and altar varying in form and ornament, the richness and delicacy of execution being indescribable. Each of the fifty-eight cells merits an entire day’s study, and a first-rate pencil to delineate it. It is asserted that each separate cell was added by wealthy individuals, of various cities and countries, professing the Jain faith, which may account for the great diversity of style and ornament, while the harmony and symmetry of the whole attest that one master-mind must have planned and executed it, except at the south-west angle, where some dissimilarity prevails. The altars are of a chaste and simple design, while money, labour, skill, and taste, have been lavished on the details of the colonnade, wherein each of the columnar rules of Jain architecture has its example. Each cell contains its statue decided to the particular object of worship of the person at whose expense it was raised, and inscriptions recording the period of erection are carved on the inner lintel of every doorway…
This image, which was one of the penates of a former age, and which since the destruction of the shrines of Krishna by the Islamites, had lain in the Yamuna, attached itself to the sacerdotal zone of high priest Balba, while he was performing ablutions, who, carrying it home, placed it ina niche of the temple and worshipped it and Nonanda yet receives the peculiar homage of the high priest and his family as their household divinity (Tod Vol. I 1920: 272).
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…Let the reader discard his shoes, and prepare to enter with me the sacred fanes of Dailwara. This is a contraction of Dewulwarra, ‘the place or region of temples,’ a term aptly applied to the site of this numerous group, from which I select two of the most remarkable. The reader will be pleased to consider himself at the entrance of the shrine sacred to Vrishabdeva, the first of the Jains. Beyond controversy this is the most superb of all the temples of India, and there is not an edifice besides the Mahal that can approach to it. The pen is incompetent to describe the exuberant beauties of this proud monument of the Jains, raised by one of the richest of their votaries (by whose name, and not that of the pontiff enshrined within, it is still designated), and which continues to attract pilgrims from every region of India. Bimul Shah, whose work has immortalized him, was a merchant of Anhulwarra, at one time the Tyre of India, and the ancient stronghold of the Jain faith. It was, however, towards the close of her long career of renown, that these two edifices were erected and happily for these votaries of Jainism, who, to use the words of the bard, “exchanged their perishable wealth for an immortal name,” for hardly were the fabrics reared, when the metropolis of Western India was sacked, its merchants driven forth, and their riches transferred to the Northern Invader. Previous to their erection, the immediate spot was occupied by the orthodox divinities, Siva and Vishnu, whose ministers would not tolerate the approach of any of the sectarian enemies of their faith; but the Sahoos of Nehrwalla, giving this the preference over any other site on the surface of Aboo, determined to try the effect of gold on the sovereign, or, as they allegorically say, “Lacshmi herself entered into the scheme, to gain a victory for their faith.” The bribe was high, they offered to cover as much ground as they required for their purpose with silver coin, – a temptation too powerful for the Pramara to withstand, – and, despite the anathema of the priests of Bal-Siva and Vishnu, he took the lacs of the Jain merchants. The name of the prince is not mentioned, but the date of the temples shews him to be the same sacrilegious Dharaburz, who attempted to inundate the Khar of Sacti. The merchants were not ungrateful of Lacshmi, whom they enshrined in a niche on the right hand of the entrance.