I paint all day. First Becka Brotmann with her loose yellow hair and just a suggestion of dahlias in the background. Then I painted Anni Brotmann at … - Paula Modersohn-Becker

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I paint all day. First Becka Brotmann with her loose yellow hair and just a suggestion of dahlias in the background. Then I painted Anni Brotmann at the clay pit, where the sun nearly baked us. In the afternoon I painted Rieke Gefken holding red lilies. I think it is the best thing I've done so far – I'll show it to Mackensen [her teacher in Worpswede] tomorrow. I spent another hour with Vogeler, yesterday.. ..he showed us a sketchbook full of his ideas for etchings.. ..many really fine and original things.

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About Paula Modersohn-Becker

Paula Modersohn-Becker (February 8, 1876 - November 21, 1907) was a German painter in Worpswede and one of the most important representatives of early German Expressionism. She frequently stayed in Paris and saw the work of modern artists there, like paintings of Cézanne and early Henri Matisse's.

Also Known As

Alternative Names: Paula Modersohn- Becker Paula Becker Paula Modersohn Becker Paula Becker-Modersohn Paula Modershohn-Becker Paula Moderson-Becker Paula Modersohn-Becker (pseudonym) Paula (pseudonym) Modersohn-Becker Paula Modersohn
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The review was more a satisfaction to me than a joy. Joy, overpoweringly beautiful moments, comes to an artist without other noticing. The same is true for moments of sadness. That's why it is true that artists live mostly in solitude.. .Otto [Modersohn] and I shall be coming home [ Worpswede ] again in the spring. That man is touching in his love. We are going to try to buy the Brünjes place in order to make our lives together freer and more open.. .If the dear Lord will allow me once again to create something beautiful, then I shall be happy and satisfied; if only I have a place where I can work in peace. I will be grateful for the portion of love I've received. If one can remain healthy and not die too young..

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In the last few days I have been thinking very intensively about my art and I believe that things are progressing for me. I even think that I'm beginning to have a liaison with the sun. Not with the sun that divides everything up and puts shadows in everywhere and plucks the image into a thousand pieces, but with the sun that broods and makes things gray and heavy and combines them all in this gray heaviness so that they become one. I'm thinking about all of that very much and it lives within me besides my great love. A time has come when I think that I shall again be able to say something [in her painting] one day; I am again devout and full of expectation..

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