First, [the bourgeoisie] must recognize his own impotence, his incapacity to believe in a sense of history, even if his reason leans towards the trut… - Slavoj Žižek

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First, [the bourgeoisie] must recognize his own impotence, his incapacity to believe in a sense of history, even if his reason leans towards the truth, the passions and prejudices produced by his class position, prevent him from accepting it. So he should not exert himself with proving the truth of the historical mission of the working class; rather, he should learn to subdue his petty bourgeois passions and prejudices. He should take lessions from those who were once as important as he is now, but are ready to risk all for the revolutionary Cause.

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About Slavoj Žižek

Slavoj Žižek (born 21 March 1949) is a Slovenian sociologist, philosopher and cultural critic. Zizek is a known for his controversial public personality, use of "dirty humor", and complex philosophy that synthesizes the philosophies of Karl Marx, Hegel, and Jacques Lacan.

Also Known As

Alternative Names: Slavoj Zizek Zizek Slavoj Krečič Žižek

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Additional quotes by Slavoj Žižek

The analysis achieves its end when the patient is able to recognize, in the Real of his symptom, the only support of his being. That is how we must read Frued's 'wo we war, soll ich werden:' you, the subject, must identify yourself with the place where your symptom already was; in its pathological particularity you must recognize the element which gives consistency to your being.

The usual Marxist line of argument runs: 'only successful socialist revolution will render possible the abolition of women's repression, the end of the destructive exploitation of nature, relief from the threat of nuclear destruction...' My thesis is that of Saul Kripke's antidescriptivism offers us the conceptual tools to solve this problem.

The horror of the Holocaust cannot be represented; but this excess of represented content over its aesthetic representation has to infect the aesthetic form itself.What cannot be described should be inscribed into the artistic form as its uncanny distortion.

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