Abstractions and references must be totally avoided. In our freedom of invention we must succeed in constructing a world that can be measured only in… - Piero Manzoni

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Abstractions and references must be totally avoided. In our freedom of invention we must succeed in constructing a world that can be measured only in its own terms. We absolutely cannot consider the picture as a space onto which to project our mental scenography. It is the area of freedom in which we search for the discovery of our first images. Images which are absolute as possible, which cannot be valued for that which they record, explain and express, but only for that which they are to be.

English
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About Piero Manzoni

Piero Manzoni (July 13, 1933 – February 6, 1963) was an Italian artist; best known for his ironic and independent approach to avant-garde art. Often his art is compared to the work of Yves Klein. He had a lot of influence on the later Italian w:Arte Povera and the w:Zero artists.

Also Known As

Alternative Names: Piero Meroni Manzoni di Chiosca e Poggiolo Piero Manzoni di Chiosca e Poggiolo
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Additional quotes by Piero Manzoni

So it is obvious that at first glance there would seem to be a paradox: the more we immerse ourselves in ourselves, the more open we become, since the closer we get to the germ of our totality the closer we are to the germ of totality of all men. We can therefore say that subjective invention is the only means of discovering objective reality, the only means that gives us the possibility of communication between men

The key point today is to establish the universal validity of individual mythology.. .The artistic moment is therefore that in which the discovery of pre-conscious universal myths comes about, and in the reduction of these into the form of images. It is clear that if the artist is to be able to bring to light zones of myth that are authentic and virginal he must have both an extreme degree of self-awareness and the gifts of iron precision and logic.

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I should like all artists to sell their fingerprints, or else stage competitions to see who can draw the longest line or sell their shit in tins. The fingerprint is the only sign of the personality that can be accepted: if collectors want something intimate, really personal to the artist, there's the artist's own shit, that is really his.

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