But Witzel, desperate to send my present book hurtling to its “doom” (to the fate he fondly and wishfully assumes overtook my “heavily criticized ear… - Shrikant G. Talageri

To sum up, Oldenberg’s principles do not affect my analysis at all. His principles are undoubtedly important, but not in demarcating “original” hymns from “interpolated” ones: as we saw, hymn 6.45, which is a late “interpolated” hymn as per (Witzel’s interpretation of) Oldenberg’s principles, proves to be linguistically very archaic, and hymns 6.3,24,25,28, which are similarly “original” hymns, abound in late words. Oldenberg’s (or rather, Witzel’s) numer(olog)ical division therefore cuts across another division which could be established on the basis of linguistic analysis. And both these divisions become irrelevant when the data in these hymns is examined from a historico-geographical point of view, since all the hymns in any given Mandala are historically and geographically homogenous. .... Therefore, neither Oldenberg’s numerical principles, nor linguistic strata discernible in the hymns, can negate the fact that the RV we have today is, for all practical purposes, the “original” RV, and my historical analysis is an “invincible” analysis of the emphatically right Rigveda text.

"The first stage, the primary stage, is represented by the familiar "Hindu-Muslim-Isai" syndrome. According to this, the Arabic-West-Asian culture of Islam, the Palestinian-European culture of Christianity, and the Indian culture of Hinduism, represent the three components of our "composite" Indian culture. (The introduction of the "Sikh" as a fourth angle to this triangle, was a side-development, intended to firmly separate Sikhs from other Hindus, and bring them closer to Muslims. That this part of the conspiracy has been a roaring success needs no elaboration here)….
The "Amar-Akbar-Anthony" brand of film propaganda has always been an indispensable feature of our Film industry. It has served to highlight this "composite" culture, by presenting stereotypes of blatantly West-Asianized Muslims and blatantly Europeanized Christians, insisting all the time on the "Indianness" of these stereotypes….
In this second stage, the "Amar" aspect of the "composite" culture is slowly diluted and downgraded, and the "Akbar" aspect is glorified and upgraded; hence, the propaganda must, necessarily, be more subtle than the "Amar-Akbar-Anthony" brand of propaganda.
When two persons meet, in a Hindi film, and one is a Hindu and the other a Muslim, they do not greet one another with namaste or Ram Ram: nor does one say namaste and the other assalam 'aleykum (nor in fact, do they refrain altogether from formal greetings); both greet each other with adab arz hai or assalam 'aleykum. When a Hindu, in a Hindi film, is faced with some great affliction, he starts doing the rounds, turn by turn, of a temple, a mosque, and a church, but a Muslim or Christian is never shown finding it necessary to approach other shrines. These are just two of many examples—each subtle by itself, perhaps not even consciously noticed in spite of their repeated occurrence—which, in the cumulative effect, serve to create the intended psychological environment.
The entertainment media have played no mean role in carrying on this brand of propaganda. The calculated glorification of Urdu, of Lucknow tehzib, of the Mughals, of gazals and qawwalis, etc., and the subtle ridicule of Sanskritized Hindi, has been a basic feature of the Hindi film industry…
The third stage is the final stage. This is the highest and most refined stage of all. At this stage, every aspect of India's mainstream culture, which existed in India prior to the arrival of Islamic culture from West Asia, represents "communalism".
Thus, it is perfectly secular for Indian politicians to don fez caps, visit mosques, perform namāz to clicking cameras, etc. But it is "communal", for them to visit temples, or bow down before Hindu holy men, or to wave ārtīs or break coconuts while inaugurating a function, since the customs of visiting temples, bowing before holy men, waving ārtīs, and breaking coconuts, all existed in India before the arrival of Islam from West Asia.
This last, and ultimate stage of "secularism" and "national integration based on a composite culture", can be fully comprehended only by the ideologically most advanced sections of Indians — the Leftists.

But the post-Rigvedic texts contain no reference whatsoever to the migration of the Aryans from the Punjab to the plains and plateaus of North and Central India, or to their interaction, or conflicts, with the non-Aryan inhabitants of these areas, or to the en masse adoption by these non-Aryans of completely new and unfamiliar Aryan speech-forms.