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I’ve never agreed with the conventional wisdom that ‘actors are great liars.’ If more people understood the acting process, the goals of good actors, the conventional wisdom would be ‘actors are terrible liars,’ because only bad actors lie on the job. The good ones hate fakery and avoid manufactured emotion at all costs. Any script is enough of a lie anyway. (What experience does any actor have with flying a spacecraft? Killing someone?) What’s called for, what actors are hired for, is to bring reality to the arbitrary.

I’ve said before that the common perception that all good actors should be good liars is exactly the opposite; only bad actors lie when they act.

Which is a word I don’t like anymore, ‘acting’. I sound like a pretentious fart for saying ‘thespian’ but acting now has become like lying. It sounds like I’m lying. If you’re a great actor, you’re a great liar. ‘Thespian’ seems more like it’s about finding some truth within and then projecting it for others to get it. At least, it does to me. But I’m not always on the same wavelength as everyone else.

The funny thing about being an actor is, at least from my point of view, you don’t spend a lot of time reflecting. You’re just on to the next thing. The work is so tricky to get sometimes. I’ve spent so much time just looking forward and trying to work on what I’m working on at the time that I don’t really think of myself as having done that much. Looking back on the resume it’s like, oh, yeah. An actor has a couple of lifetimes, I guess. I’ve been very fortunate. When you’re first starting out, for me anyway, I was a little shy telling people I was an actor. I didn’t have a lot of stuff on my resume. When you have one scene as a background guy in a television movie and call yourself an actor, that’s a little odd at first. Now I’m more comfortable with it. I’m really not aware of it until people bring it up. People that I meet in the professional world say, man you’ve been around forever. Really? I guess so. It’s great. I’ve been fortunate to work in all the venues: theater, and movies and TV and the subgenres of comedy and drama. I guess I am very, very fortunate.

It doesn't matter who you are as an actor; that's really always in the script. It wouldn't make sense a lot of times to drastically change things. It would threaten to change the story arc and all that kind of stuff. I think really what an actor does is an instrument, not a player.

The most successful behaviour-liars are those who, instead of consciously concentrating on modifying specific signals, think themselves into the basic mood they wish to convey and then let the small details take care of themselves. This method is frequently used with great success by professional liars, such as actors and actresses. Their entire working lives are spent performing behavioural lies, a process which can sometimes be extremely damaging to their private lives. Politicians and diplomats are also required to perform an undue amount of behavioural lying, but unlike the actors they are not socially ‘licensed to lie’, and the resultant guilt feelings tend to interfere with their performances. Also, unlike the actors, they do not undergo prolonged training courses.

When you're not working and you're just living, you forget and all of a sudden something happens to remind you that you're an actor. I'm not always the nicest person to meet, because I forget very easily that I'm an actress when I'm not working. I live very normally, I go out with my friends, we go to the movies, I queue, we go to restaurants. Then if something happens to remind me that I'm an actress then I become a little different and things become a little heavy. I like the advantages; I know it's not right but I like being famous when it's convenient for me and completely anonymous when it's not.

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There is a theory that watching unbearable stories about other people lost in grief and rage is good for you — may cleanse you of your darkness. Do you want to go down to the pits of yourself all alone? Not much. What if an actor could do it for you? Isn’t that why they are called actors? They act for you. You sacrifice them to action. And this sacrifice is a mode of deepest intimacy of you with your own life. Within it you watch [yourself] act out the present or possible organization of your nature. You can be aware of your own awareness of this nature as you never are at the moment of experience. The actor, by reiterating you, sacrifices a moment of his own life in order to give you a story of yours.

Most actors possess an intuitive side. Actually, the further away I am from the character, the less work I have to do. It takes so much more energy to detach yourself from your own life references that might cross wires with your character's. I think it's cheating for me to ever use my life references in conjunction with my characters. It's my reaction transferred to the character, which isn't good. What I have to do is erase those things and then find something else. I can't stand in front of a camera and let anything of myself come through or I'm betraying the character's complete trueness. There are some actors who just use themselves. They can wear their ego on their sleeve and it looks great. I can't do that.

I think everyone has what it takes to be a good actor innately within them. It’s really about connecting to your own humanity and your own behaviors, and getting to a level of self-awareness so that you can have perspective and step outside of yourself and transform and become another person. You can’t become another person if you’re not self-aware; you wouldn’t know what’s changed. [But] the ability to play pretend is something that everyone has access to; you see little kids doing it. On the spectrum of imagination, there are people who are more imaginative than others—I guess some kids are hardcore pretenders and have imaginary friends for years and other kids play and they have fun, but it’s not quite as specific like that. I’m sure there’s a range, but I think everyone can pretend.

Acting is not a lofty performance; it is simply the source of becoming and existing transparently. Acting, I find, is the art of frothing to the surface every raw and honest emotion. The moment an actor pretends, he loses his audience forever

Every time I perform, I work really hard to give part of myself to the audience. Then I do an interview and I read some story that just isn't true, or someone draws a crazy conclusion about my life, and it's such a betrayal. It hasn't happened here, but in Croatia, I've had to stop reading about myself. I don't think actors mean to be secretive - they just don't want strangers looking through their kitchen window.

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