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" "...good American poets are surprisingly individual and independent; they have little of the member-of-the-Academy, official man-of-letters feel that English or continental poets often have. When American poets join literary political parties, doctrinaire groups with immutable principles, whose poems themselves are manifestoes, the poets are ruined by it. We see this in the beatniks, with their official theory that you write a poem by putting down anything that happens to come into your head; this iron spontaneity of theirs makes it impossible for even a talented beatnik to write a good poem except by accident, since it eliminates the selection, exclusion, and concentration that are an essential part of writing a poem. Besides, their poems are as direct as true works of art are indirect: ironically, these conscious social manifestoes of theirs, these bohemian public speeches, make it impossible for the artist’s unconscious to operate as it normally does in the process of producing a work of art.
Randall Jarrell (6 May 1914 – 15 October 1965) was an American poet, novelist, critic, children's book author and essayist.
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...“progress”, in poetry at least, comes not so much from digesting the last age as from rejecting it altogether (or, rather, from eating a little and leaving a lot), and...the world’s dialectic is a sort of neo-Hegelian one in which one progresses not by resolving contradictions but by ignoring them.
In Stage II guilt is first of all social, liberal, moral guilt — a guilt so general as to seem almost formal. It is we who are responsible, either by commission or — more generally — by omission, for everything from killing off the Tasmanians to burning the books at Alexandria. (You didn’t do it? Then you should have stopped them from doing it. You never heard of it? Ignorant as well as evil, eh? You weren’t born? You’re guilty, I tell you — guilty.)
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When you begin to read a poem you are entering a foreign country whose laws and language and life are a kind of translation of your own; but to accept it because its stews taste exactly like your old mother’s hash, or to reject it because the owl-headed goddess of wisdom in its temple is fatter than the Statrue of Liberty, is an equal mark of that want of imagination, that inaccessibily to experience, of which each of us who dies a natural death will die.