Poem (the spirit likes to dress up) The spirit likes to dress up like this: ten fingers, ten toes, shoulders, and all the rest at night in the blac… - Mary Oliver

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Poem (the spirit likes to dress up)

The spirit
likes to dress up like this:
ten fingers,
ten toes,

shoulders, and all the rest
at night
in the black branches,
in the morning

in the blue branches
of the world.
It could float, of course,
but would rather

plumb rough matter.
Airy and shapeless thing,
it needs
the metaphor of the body,

lime and appetite,
the oceanic fluids;
it needs the body’s world,
instinct

and imagination
and the dark hug of time,
sweetness
and tangibility,

to be understood,
to be more than pure light
that burns
where no one is –

so it enters us –
in the morning
shines from brute comfort
like a stitch of lightning;

and at night
lights up the deep and wondrous
drownings of the body
like a star.

English
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About Mary Oliver

Mary Jane Oliver (10 September 1935 – 17 January 2019) was an American poet who won the National Book Award and the Pulitzer Prize.

Biography information from Wikiquote

Also Known As

Alternative Names: Mary Jane Oliver

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Additional quotes by Mary Oliver

What can I say that I have not said before?
So I’ll say it again.
The leaf has a song in it.
Stone is the face of patience.
Inside the river there is an unfinishable story
and you are somewhere in it
and it will never end until all ends.

Take your busy heart to the art museum and the
chamber of commerce
but take it also to the forest.
The song you heard singing in the leaf when you
were a child
is singing still.
I am of years lived, so far, seventy-four,
and the leaf is singing still.

(from, “What Can I Say”)

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Gannets

I am watching the white gannets
blaze down into the water
with the power of blunt spears
and a stunning accuracy — even though the sea is riled and boiling
and gray with fog
and the fish
are nowhere to be seen,
they fall, they explode into the water
like white gloves,
then they vanish,
then they climb out again,
from the cliff of the wave,
like white flowers — and still I think
that nothing in this world moves
but as a positive power — even the fish, finning down into the current
or collapsing
in the red purse of the beak,
are only interrupted from their own pursuit
of whatever it is
that fills their bellies — and I say:
life is real,
and pain is real,
but death is an imposter,
and if I could be what once I was,
like the wolf or the bear
standing on the cold shore,
I would still see it — how the fish simply escape, this time,
or how they slide down into a black fire
for a moment,
then rise from the water inseparable
from the gannets' wings.

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