J'imaginais que j'allais voyager avec des gitans et que j'allais chanter dans la rue. Un peu comme Piaf. Je connaissais toutes les chansons des chant… - Anna Karina

We did not see ourselves as remaking cinema at the time, at least not in my view. Myself and the other actors were not part of the industry; we weren’t inside the star system. We were running around, shooting in the streets, hiding behind trees to do our makeup. It was a very simple way of working.

I came to the showroom to show pictures, and [Coco Chanel] said, “Okay, we’ll make a test to see if you can do it.” I was a little girl—about 17-and-a-half—and so I went into the makeup room and I did my makeup, and my hair, and the eyes to get them a little bit bolder. This woman came in with a big hat, she was 66 or 65 or something like that, but very beautiful! Kind of militaire. She said, “What is your name little girl?” I was talking to the makeup lady, and said, “My name is Hanne Karin Bayer.” She said, “Hanne Karin Bayer? And you want to be an actress? You’ve got to call yourself Anna Karina.” And I said, “Oh that sounds good, thank you, Madame.” Afterwards everybody told me it was Coco Chanel. Two weeks later I got my photo on the cover of Elle magazine and I really got work. That was a big honor at the time, and they called me “Anna Karina,” but they spelled it the wrong way in the beginning, with a “C,” the Italian way.

I imagined that I was going to travel with gypsies and that I was going to sing in the street. A bit like [Edith] Piaf. I knew all the songs of the [chanson realist] singers; Damia, Berthe Sylva, Fréhel. I also remember that I wanted to marry Louis Armstrong.