The case for a fresh perspective in the post-Alexandrine epoch is argued in a positive tone which may create the impression in some places that the w… - K. D. Sethna

" "

The case for a fresh perspective in the post-Alexandrine epoch is argued in a positive tone which may create the impression in some places that the writer has no misgiving at all about any element of his thesis. As said at the very start of this Introduction, no historian can afford to be cocksure: he must always keep his mind plastic. But he is allowed to state as forcibly as he can whatever he believes to be worthy of audience - all the more if he is pleading on behalf of something that has seemed a lost cause . The present writer has no wish to appear in the eyes of historians a convinced heretic. He is prepared for criticism, open to correction and agreeable to further dialogue. What he has not bargained for is indifference. His hope is to deserve, by setting about his job as honestly and thoroughly as possible, the right of the Themistoclean appeal: "Strike, but hear!"

English
Collect this quote

About K. D. Sethna

Kaikhosru Dadhaboy (K.D.) Sethna (26 November 1904 – 29 June 2011) was an Indian poet, scholar, writer, philosopher, and cultural critic. He was an author of works about Indian history and on Sri Aurobindos philosophy.

Also Known As

Pen Names: Amal Kiran
Alternative Names: Sethna, K.D. Kaikhosru Danjibuoy Sethna Kaikhosru Dhunjibhoy Sethna

Share this quote as an image

Customize card
PREMIUM FEATURE

Advanced Search Filters

Filter search results by source, date, and more with our premium search tools.

Related quotes. More quotes will automatically load as you scroll down, or you can use the load more buttons.

Additional quotes by K. D. Sethna

Even without our calculations about the kingdoms and dynasties of the post-Andhra epoch, the very fact that the Puranas can terminate the Andhras in 390 B.C. and that a Chandragupta of Pataliputra arrives on the scene not long after—this very fact is enough, with Sandrocottus in the last quarter of the 4th century B.C., to make us sit up and take sharp notice of the extraordinary coincidence.

According to Aurobindo,... there are passages in which the spiritual interpretation of the Dasas, Dasyus and Panis is the sole one possible and all others are completely excluded. There are no passages in which we lack a choice either between this interpretation and a nature-poetry or between this interpretation and the reading of human enemies.

As there are no depictions of the cow, in contrast to the pictures of the bull, which are abundant, should we conclude that Harappa and Mohenjo- daro had only bulls? And what about that mythical animal, the unicorn, which is the most common pictorial motif on the seals? Was the unicorn a common animal of the proto- historic Indus Valley? Surely, the presence or absence of depictions cannot point unequivocally to the animals known and decide for or against Aryanism?

Loading...