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I am banished from the patient men who fight. They smote my heart to pity, built my pride. Shoulder to aching shoulder, side by side, They trudged aw… - Siegfried Sassoon
" "I am banished from the patient men who fight.
They smote my heart to pity, built my pride.
Shoulder to aching shoulder, side by side,
They trudged away from life's broad wealds of light.
Their wrongs were mine; and ever in my sight
They went arrayed in honour. But they died, — Not one by one: and mutinous I cried
To those who sent them out into the night.
The darkness tells how vainly I have striven
To free them from the pit where they must dwell
In outcast gloom convulsed and jagged and riven
By grappling guns. Love drove me to rebel.
Love drives me back to grope with them through hell;
And in their tortured eyes I stand forgiven.
English
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About Siegfried Sassoon
Siegfried Sassoon (September 8, 1886 – September 1, 1967) was a British poet and writer, best remembered for the poems he wrote as a soldier in World War I. Decorated for bravery on the Western Front, he became one of the leading poets of the First World War.
Biography information from Wikiquote
Also Known As
Alternative Names:
Siegfried Loraine Sassoon
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Saul Kain
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Pinchbeck Lyre
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Siegfried Lorraine Sassoon
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Additional quotes by Siegfried Sassoon
An innocent youth wrote recently that he is convinced I am the greatest writer in the world (from New Zealand). A touching letter – so simple & unaffected. Another young man wrote, only yesterday, that I am to him what Hardy must have been to me. Such tributes are worth having, aren't they, even if I don't deserve them.
For it is humanly certain that most of us remember very little of what we have read. To open almost any book a second time is to be reminded that we had forgotten well-nigh everything that the writer told us. Parting from the narrator and his narrative, we retain only a fading impression; and he, as it were, takes the book away from us and tucks it under his arm.
His face - what would it have become? While calling him back in memory I have been haunted by the idea of the unalterable features of those who have died in youth. Borne away from them by the years, we - with our time-troubled looks and diminished alertness - have submitted to many a gradual detriment of change. But the young poet of twenty-five years ago remains his world-discovering self. His futureless eyes encounter ours from the faintly smiling portrait, unconscious of the privilege and deprivation of never growing old, unconscious of the dramatic illusion of completeness that he is destined to create.
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