Easter was late in April that year; my first three tours of trenches occupied me during the last thirty days of Lent. This essential season in the Church calendar was not, as far as I remember, remarked upon by anyone in my company, although the name of Christ was often on our lips, and Mansfield (when a canister made a mess of the trench not many yards away from him) was even heard to refer to our Saviour as ‘murry old Jesus!’ These innocuous blasphemings of the holy name were a peculiar feature of the War, in which the principles of Christianity were either obliterated or falsified for the convenience of all who were engaged in it. Up in the trenches every man bore his own burden; the Sabbath was not made for man; and if a man laid down his life for his friends it was no part of his military duties. To kill an enemy was an effective action; to bring in one of our own wounded was praiseworthy, but unrelated to our war-aims. The Brigade chaplain did not exhort us to love our enemies. He was content to lead off with the hymn ‘How sweet the name of Jesus sounds’!
English war poet and writer (1886-1967)
Siegfried Sassoon (September 8, 1886 – September 1, 1967) was a British poet and writer, best remembered for the poems he wrote as a soldier in World War I. Decorated for bravery on the Western Front, he became one of the leading poets of the First World War.
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Books; what a jolly company they are,
Standing so quiet and patient on their shelves,
Dressed in dim brown, and black, and white, and green
And every kind of colour. Which will you read?
Come on; O do read something; they're so wise.
I tell you all the wisdom of the world
Is waiting for you on those shelves; and yet
You sit and gnaw your nails, and let your pipe out,
And listen to the silence.
Have you forgotten yet?...
For the world's events have rumbled on since those gagged days,
Like traffic checked while at the crossing of city-ways:
And the haunted gap in your mind has filled with thoughts that flow
Like clouds in the lit heaven of life; and you're a man reprieved to go,
Taking your peaceful share of Time, with joy to spare.
But the past is just the same — and War's a bloody game...
Have you forgotten yet?...
Look down, and swear by the slain of the War that you'll never forget.
Do you remember the dark months you held the sector at Mametz
The nights you watched and wired and dug and piled sandbags on parapets?
Do you remember the rats; and the stench
Of corpses rotting in front of the front-line trench — And dawn coming, dirty-white, and chill with a hopeless rain?
Do you ever stop and ask, 'Is it all going to happen again?'
Do you remember that hour of din before the attack — And the anger, the blind compassion that seized and shook you then
As you peered at the doomed and haggard faces of your men?
Do you remember the stretcher-cases lurching back
With dying eyes and lolling heads — those ashen-grey
Masks of the lads who once were keen and kind and gay?
Have you forgotten yet?...
Look up, and swear by the green of the spring that you'll never forget.
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For it is humanly certain that most of us remember very little of what we have read. To open almost any book a second time is to be reminded that we had forgotten well-nigh everything that the writer told us. Parting from the narrator and his narrative, we retain only a fading impression; and he, as it were, takes the book away from us and tucks it under his arm.
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Does it matter? — losing your legs?...
For people will always be kind,
And you need not show that you mind
When the others come in after football
To gobble their muffins and eggs.
Does it matter? — losing your sight?...
There's such splendid work for the blind;
And people will always be kind,
As you sit on the terrace remembering
And turning your face to the light.
Do they matter? — those dreams from the pit?...
You can drink and forget and be glad,
And people won't say that you're mad;
For they'll know that you've fought for your country,
And no one will worry a bit.