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" "As far as talent goes, Marilyn Monroe was so minimally gifted as to be almost unemployable, and anyone who holds to the opinion that she was a great natural comic identifies himself immediately as a dunce...As a natural silent comedian Marilyn might possibly have qualified, with the proviso that she was not to be depended on to invent anything. But as a natural comedian in sound she had the conclusive disadvantage of not being able to speak. She was limited ineluctably to characters who rented language but could not possess it, and all her best roles fell into that category. She was good at being inarticulately abstracted for the same reason that midgets are good at being short.
Clive James AO, CBE, FRSL (born Vivian Leopold James; 7 October 1939 – 24 November 2019) was an expatriate Australian writer, poet, essayist, critic, television personality and commentator on popular culture.
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Riding the crest, I diversified, exploiting a highly marketable capacity to fart at will... By mastering this skill I set myself on a par with those court jesters of old who could wow the monarch and all his retinue with a simultaneous leap, whistle and fart. Unable to extend my neo-Homeric story-telling activities from the playground to the classroom, I could nevertheless continue to hog the limelight by interpolating a gaseous running commentary while the teacher addressed himself to the blackboard.
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There is a consoling mythology, constantly being added to, which would have us believe that genius operates beyond donkey work. Thus we are told reassuringly that Einstein was no better at arithmetic than we are; that Mozart gaily broke the rules of composition while jotting down a stream of black dots without even looking; and that Shakespeare didn't care about grammar. Superficially, there are facts to lend substance to these illusions. But illusions they remain. There is always some autistic child in India who can speak in prime numbers, but that doesn't mean Einstein couldn't add up; Mozart would not have been able to break the rules in an interesting way unless he was able to keep them if required; and Shakespeare, far from being careless about grammar, could depart from it in any direction only because he had first mastered it as a structure.