He'd once told me that the art of getting ahead in New York was based on learning how to express dissatisfaction in an interesting way. The air was f… - Don DeLillo

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He'd once told me that the art of getting ahead in New York was based on learning how to express dissatisfaction in an interesting way. The air was full of rage and complaint. People had no tolerance for your particular hardship unless you knew how to entertain them with it.

English
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About Don DeLillo

Donald Richard "Don" DeLillo (born November 20, 1936) is an award-winning American novelist, playwright, and essayist, best known for his novels, which paint detailed portraits of American life in the late 20th and early 21st centuries.

Also Known As

Pen Names: Cleo Birdwell
Birth Name: Donald Richard DeLillo
Alternative Names: Don Delillo Donald Richard "Don" DeLillo
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Additional quotes by Don DeLillo

Of course the humanistic mind crumbles at the whole idea. It's the most hideous thing in the world to these people that such ideas even have to be mentioned. But the thing won't go away. The thing is here and you have to face it. The prospect of a humane war may be hideous and all the other names you can think of, but it's still a prospect. And as an alternative to all the other things that could happen in the event of war, it's relatively acceptable.

We drove 22 miles into the country around Farmington. There were meadows and apple orchards. White fences trailed through the rolling fields. Soon the sign started appearing. THE MOST PHOTOGRAPHED BARN IN AMERICA. We counted five signs before we reached the site. There were 40 cars and a tour bus in the makeshift lot. We walked along a cowpath to the slightly elevated spot set aside for viewing and photographing. All the people had cameras; some had tripods, telephoto lenses, filter kits. A man in a booth sold postcards and slides -- pictures of the barn taken from the elevated spot. We stood near a grove of trees and watched the photographers. Murray maintained a prolonged silence, occasionally scrawling some notes in a little book. "No one sees the barn," he said finally. A long silence followed. "Once you've seen the signs about the barn, it becomes impossible to see the barn." He fell silent once more. People with cameras left the elevated site, replaced by others. We're not here to capture an image, we're here to maintain one. Every photograph reinforces the aura. Can you feel it, Jack? An accumulation of nameless energies." There was an extended silence. The man in the booth sold postcards and slides. "Being here is a kind of spiritual surrender. We see only what the others see. The thousands who were here in the past, those who will come in the future. We've agreed to be part of a collective perception. It literally colors our vision. A religious experience in a way, like all tourism." Another silence ensued. "They are taking pictures of taking pictures," he said.”

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