In the Naked Bed, in Plato’s Cave In the naked bed, in Plato’s cave, Reflected headlights slowly slid the wall, Carpenters hammered under the shaded… - Delmore Schwartz

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In the Naked Bed, in Plato’s Cave

In the naked bed, in Plato’s cave,
Reflected headlights slowly slid the wall,
Carpenters hammered under the shaded window,
Wind troubled the window curtains all night long,
A fleet of trucks strained uphill, grinding,
Their freights covered, as usual.
The ceiling lightened again, the slanting diagram
Slid slowly forth.
Hearing the milkman’s chop,
His striving up the stair, the bottle’s chink,
I rose from bed, lit a cigarette,
And walked to the window. The stony street
Displayed the stillness in which buildings stand,
The street-lamp’s vigil and the horse’s patience.
The winter sky’s pure capital
Turned me back to bed with exhausted eyes.

Strangeness grew in the motionless air. The loose
Film grayed. Shaking wagons, hooves’ waterfalls,
Sounded far off, increasing, louder and nearer.
A car coughed, starting. Morning, softly
Melting the air, lifted the half-covered chair
From underseas, kindled the looking-glass,
Distinguished the dresser and the white wall.
The bird called tentatively, whistled, called,
Bubbled and whistled, so! Perplexed, still wet
With sleep, affectionate, hungry and cold. So, so,
O son of man, the ignorant night, the travail
Of early morning, the mystery of beginning
Again and again,
while History is unforgiven.

English
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About Delmore Schwartz

Delmore Schwartz (December 8 1913 – July 11 1966) was an American poet and short story writer.

Biography information from Wikiquote

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Additional quotes by Delmore Schwartz

"The kingdom of poetry"

This is like light.
This is light,
Useful as light, as charming
And enchanting…

…Poetry is certainly
More interesting, more valuable,
and certainly more charming
Than Niagara Falls, the Grand Canyon, the Atlantic Ocean
And other much admired natural phenomena.
It is useful as light, and as beautiful
It is preposterous
Precisely, making it possible to say
One cannot carry a mountain, but a poem can be carried all over.
It is monstrous.
Pleasantly, for poetry can say, seriously or in play:

“Poetry is better than hope,
“For poetry is patience of hope, and all hope’s vivid pictures,
“Poetry is better than excitement, it is far more delightful,
“Poetry is superior to success, and victory, it endures in serene blessedness
“Long after the most fabulous feat like fireworks has mounted and fallen.
“Poetry is far more powerful and far more enchanting animal
“Than any wood, jungle, ark, circus or zoo possesses.”

For poetry magnifies and heighten reality:
Poetry says of reality that if it is magnificent, it is also stupid:
For poetry is, in a way, omnipotent;
For reality is various and rich, powerful and vivid, but it is not enough
Because it is disorderly and stupid or only at times, and erratically, intelligent:
For without poetry, reality is speechless or incoherent:
It is inchoate, like the pomp and the bombast of thunder:
Its peroration verge upon the ceaseless oration of the ocean:
For reality glows and glory, without poetry,
Fake, like the red operas of sunset
The blue rivers and the windows of morning.

The arts of poetry makes it possible to say: Pandemonium.
For poetry is gay and exact. It says:
“The sunset resembles a bull-fight.
“A sleeping arm feels like soda, fizzing.”

Poetry resurrect the past from the sepulchre, like Lazarus.
It transforms a lion into a sphinx and a girl.
It gives a girl the splendor of Latin.
It transforms the water into wine at each marriage in Cana of Galilee.

For it is true that poetry invented the unicorn, the

But this, this which we say before we’re sorry,
This which we live behind our unseen faces,
Is neither dream, nor childhood, neither
Myth, nor landscape, final, nor finished,
For we are incomplete and know no future,
And we are howling or dancing out our souls
In beating syllables before the curtain:
We are Shakespearean, we are strangers.

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"Socrates Ghost Must Haunt Me Now"

Socrates ghost must haunt me now,
Notorious death has let him go,
He comes to me with a clumsy bow,
Saying in his disused voice,
That I do not know I do not know,
The mechanical whims of appetite
Are all that I have of conscious choice,
The butterfly caged in eclectic light
Is my only day in the world's great night,
Love is not love, it is a child
Sucking his thumb and biting his lip,
But grasp it all, there may be more!
From the topless sky to the bottomless floor
With the heavy head and the fingertip:
All is not blind, obscene, and poor.
Socrates stands by me stockstill,
Teaching hope to my flickering will,
Pointing to the sky's inexorable blue — -Old Noumenon, come true, come true!

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