Delmore Schwartz Quotes

Existentialism means that no one else can take a bath for you.

Time is the school in which we learn,
Time is the fire in which we burn.

(Calmly We Walk Through This April's Day)

For reality's glow and glory, without poetry,
Fade, like the red operas of sunset

Each minute bursts in the burning room,
The great globe reels in the solar fire,
Spinning the trivial and unique away.
(How all things flash! How all things flare!)
What am I now that I was then?
May memory restore again and again
The smallest color of the smallest day:
Time is the school in which we learn,
Time is the fire in which we burn.

"The kingdom of poetry"

This is like light.
This is light,
Useful as light, as charming
And enchanting…

…Poetry is certainly
More interesting, more valuable,
and certainly more charming
Than Niagara Falls, the Grand Canyon, the Atlantic Ocean
And other much admired natural phenomena.
It is useful as light, and as beautiful
It is preposterous
Precisely, making it possible to say
One cannot carry a mountain, but a poem can be carried all over.
It is monstrous.
Pleasantly, for poetry can say, seriously or in play:

“Poetry is better than hope,
“For poetry is patience of hope, and all hope’s vivid pictures,
“Poetry is better than excitement, it is far more delightful,
“Poetry is superior to success, and victory, it endures in serene blessedness
“Long after the most fabulous feat like fireworks has mounted and fallen.
“Poetry is far more powerful and far more enchanting animal
“Than any wood, jungle, ark, circus or zoo possesses.”

For poetry magnifies and heighten reality:
Poetry says of reality that if it is magnificent, it is also stupid:
For poetry is, in a way, omnipotent;
For reality is various and rich, powerful and vivid, but it is not enough
Because it is disorderly and stupid or only at times, and erratically, intelligent:
For without poetry, reality is speechless or incoherent:
It is inchoate, like the pomp and the bombast of thunder:
Its peroration verge upon the ceaseless oration of the ocean:
For reality glows and glory, without poetry,
Fake, like the red operas of sunset
The blue rivers and the windows of morning.

The arts of poetry makes it possible to say: Pandemonium.
For poetry is gay and exact. It says:
“The sunset resembles a bull-fight.
“A sleeping arm feels like soda, fizzing.”

Poetry resurrect the past from the sepulchre, like Lazarus.
It transforms a lion into a sphinx and a girl.
It gives a girl the splendor of Latin.
It transforms the water into wine at each marriage in Cana of Galilee.

For it is true that poetry invented the unicorn, the

"Baudelaire"

When I fall asleep, and even during sleep,
I hear, quite distinctly, voices speaking
Whole phrases, commonplace and trivial,
Having no relation to my affairs.

Dear Mother, is any time left to us
In which to be happy? My debts are immense.
My bank account is subject to the court’s judgment.
I know nothing. I cannot know anything.
I have lost the ability to make an effort.
But now as before my love for you increases.
You are always armed to stone me, always:
It is true. It dates from childhood.

For the first time in my long life
I am almost happy. The book, almost finished,
Almost seems good. It will endure, a monument
To my obsessions, my hatred, my disgust.

Debts and inquietude persist and weaken me.
Satan glides before me, saying sweetly:
“Rest for a day! You can rest and play today.
Tonight you will work.” When night comes,
My mind, terrified by the arrears,
Bored by sadness, paralyzed by impotence,
Promises: “Tomorrow: I will tomorrow.”
Tomorrow the same comedy enacts itself
With the same resolution, the same weakness.

I am sick of this life of furnished rooms.
I am sick of having colds and headaches:
You know my strange life. Every day brings
Its quota of wrath. You little know
A poet’s life, dear Mother: I must write poems,
The most fatiguing of occupations.

I am sad this morning. Do not reproach me.
I write from a café near the post office,
Amid the click of billiard balls, the clatter of dishes,
The pounding of my heart. I have been asked to write
“A History of Caricature.” I have been asked to write
“A History of Sculpture.” Shall I write a history
Of the caricatures of the sculptures of you in my heart?

Although it costs you countless agony,
Although you cannot believe it necessary,
And doubt that the sum is accurate,
Please send me money enough for at least three weeks.

In the morning, when it was raining

In the morning, when it was raining,
Then the birds were hectic and loudy;
Through all the reign is fall's entertaining;
Their singing was erratic and full of disorder:
They did not remember the summer blue
Or the orange of June. They did not think at all
Of the great red and bursting ball
Of the kingly sun's terror and tempest, blazing,
Once the slanting rain threw over all
The colorless curtains of the ceaseless spontaneous fall.

I am a book I neither wrote nor read.

I am my father's father,
You are your children's guilt. In history's pity and terror
The child is Aeneas again; Troy is in the nursery,
The rocking horse is on fire. Child labor! The child must carry
His fathers on his back.

"Socrates Ghost Must Haunt Me Now"

Socrates ghost must haunt me now,
Notorious death has let him go,
He comes to me with a clumsy bow,
Saying in his disused voice,
That I do not know I do not know,
The mechanical whims of appetite
Are all that I have of conscious choice,
The butterfly caged in eclectic light
Is my only day in the world's great night,
Love is not love, it is a child
Sucking his thumb and biting his lip,
But grasp it all, there may be more!
From the topless sky to the bottomless floor
With the heavy head and the fingertip:
All is not blind, obscene, and poor.
Socrates stands by me stockstill,
Teaching hope to my flickering will,
Pointing to the sky's inexorable blue — -Old Noumenon, come true, come true!

Calmly We Walk Through This April Day

Calmly we walk through this April's day,
Metropolitan poetry here and there,
In the park sit pauper and rentier,
The screaming children, the motor-car
Fugitive about us, running away,
Between the worker and the millionaire
Number provides all distances,
It is Nineteen Thirty-Seven now,
Many great dears are taken away,
What will become of you and me
(This is the school in which we learn...)
Besides the photo and the memory?
(...that time is the fire in which we burn.)

(This is the school in which we learn...)
What is the self amid this blaze?
What am I now that I was then
Which I shall suffer and act again,
The theodicy I wrote in my high school days
Restored all life from infancy,
The children shouting are bright as they run
(This is the school in which they learn . . .)
Ravished entirely in their passing play!
(...that time is the fire in which they burn.)

Avid its rush, that reeling blaze!
Where is my father and Eleanor?
Not where are they now, dead seven years,
But what they were then?
No more? No more?
From Nineteen-Fourteen to the present day,
Bert Spira and Rhoda consume, consume
Not where they are now (where are they now?)
But what they were then, both beautiful;

Each minute bursts in the burning room,
The great globe reels in the solar fire,
Spinning the trivial and unique away.
(How all things flash! How all things flare!)
What am I now that I was then?
May memory restore again and again
The smallest color of the smallest day:
Time is the school in which we learn,
Time is the fire in which we burn.

Out Of The Watercolored Window, When You Look
by
When from the watercolored window idly you look
Each is but and clear to see, not steep:
So does the neat print in an actual book
Marching as if to true conclusion, reap
The illimitable blue immensely overhead,
The night of the living and the day of the dead.

I drive in an auto all night long to reach
The apple which has sewed the sunlight up:
My simple self is nothing but the speech
Pleading for the overflow of that great cup,
The darkened body, the mind still as a frieze:
All else is merely means as complex as disease!

Time is the school in which we learn,
Time is the fire in which we burn.

What will become of you and me
(This is the school in which we learn ...)
Besides the photo and the memory?
(... that time is the fire in which we burn.)

Avid its rush, that reeling blaze!
Where is my father and Eleanor?
Not where are they now, dead seven years,
But what they were then?
No more? No more?

"Darkling Summer, Ominous Dusk, Rumorous Rain"

A tattering of rain and then the reign
Of pour and pouring-down and down,
Where in the westward gathered the filming gown
Of grey and clouding weakness, and, in the mane
Of the light’s glory and the day’s splendor, gold and vain,
Vivid, more and more vivid, scarlet, lucid and more luminous,
Then came a splatter, a prattle, a blowing rain!
And soon the hour was musical and rumorous:
A softness of a dripping lipped the isolated houses,
A gaunt grey somber softness licked the glass of hours.

2

Again, after a catbird squeaked in the special silence,
And clouding vagueness fogged the windowpane
And gathered blackness and overcast, the mane
Of light’s story and light’s glory surrendered and ended — A pebble — a ring — a ringing on the pane,
A blowing and a blowing in: tides of the blue and cold
Moods of the great blue bay, and slates of grey
Came down upon the land’s great sea, the body of this day — Hardly an atom of silence amid the roar
Allowed the voice to form appeal — to call:
By kindled light we thought we saw the bronze of fall.