In the Naked Bed, in Plato’s Cave
In the naked bed, in Plato’s cave,
Reflected headlights slowly slid the wall,
Carpenters hammered under the shaded window,
Wind troubled the window curtains all night long,
A fleet of trucks strained uphill, grinding,
Their freights covered, as usual.
The ceiling lightened again, the slanting diagram
Slid slowly forth.
Hearing the milkman’s chop,
His striving up the stair, the bottle’s chink,
I rose from bed, lit a cigarette,
And walked to the window. The stony street
Displayed the stillness in which buildings stand,
The street-lamp’s vigil and the horse’s patience.
The winter sky’s pure capital
Turned me back to bed with exhausted eyes.
Strangeness grew in the motionless air. The loose
Film grayed. Shaking wagons, hooves’ waterfalls,
Sounded far off, increasing, louder and nearer.
A car coughed, starting. Morning, softly
Melting the air, lifted the half-covered chair
From underseas, kindled the looking-glass,
Distinguished the dresser and the white wall.
The bird called tentatively, whistled, called,
Bubbled and whistled, so! Perplexed, still wet
With sleep, affectionate, hungry and cold. So, so,
O son of man, the ignorant night, the travail
Of early morning, the mystery of beginning
Again and again,
while History is unforgiven.
American poet (1913–1966)
Delmore Schwartz (December 8 1913 – July 11 1966) was an American poet and short story writer.
From: Wikiquote (CC BY-SA 4.0)
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Each minute bursts in the burning room, The great globe reels in the solar fire, Spinning the trivial and unique away. (How all things flash! How all things flare!) What am I now that I was then? May memory restore again and again The smallest color of the smallest day: This is the school in which we learn, Time is the fire in which we burn.
"The kingdom of poetry"
This is like light.
This is light,
Useful as light, as charming
And enchanting…
…Poetry is certainly
More interesting, more valuable,
and certainly more charming
Than Niagara Falls, the Grand Canyon, the Atlantic Ocean
And other much admired natural phenomena.
It is useful as light, and as beautiful
It is preposterous
Precisely, making it possible to say
One cannot carry a mountain, but a poem can be carried all over.
It is monstrous.
Pleasantly, for poetry can say, seriously or in play:
“Poetry is better than hope,
“For poetry is patience of hope, and all hope’s vivid pictures,
“Poetry is better than excitement, it is far more delightful,
“Poetry is superior to success, and victory, it endures in serene blessedness
“Long after the most fabulous feat like fireworks has mounted and fallen.
“Poetry is far more powerful and far more enchanting animal
“Than any wood, jungle, ark, circus or zoo possesses.”
For poetry magnifies and heighten reality:
Poetry says of reality that if it is magnificent, it is also stupid:
For poetry is, in a way, omnipotent;
For reality is various and rich, powerful and vivid, but it is not enough
Because it is disorderly and stupid or only at times, and erratically, intelligent:
For without poetry, reality is speechless or incoherent:
It is inchoate, like the pomp and the bombast of thunder:
Its peroration verge upon the ceaseless oration of the ocean:
For reality glows and glory, without poetry,
Fake, like the red operas of sunset
The blue rivers and the windows of morning.
The arts of poetry makes it possible to say: Pandemonium.
For poetry is gay and exact. It says:
“The sunset resembles a bull-fight.
“A sleeping arm feels like soda, fizzing.”
Poetry resurrect the past from the sepulchre, like Lazarus.
It transforms a lion into a sphinx and a girl.
It gives a girl the splendor of Latin.
It transforms the water into wine at each marriage in Cana of Galilee.
For it is true that poetry invented the unicorn, the
"The Poet"
The riches of the poet are equal to his poetry
His power is his left hand
It is idle weak and precious
His poverty is his wealth, a wealth which may destroy him
like Midas Because it is that laziness which is a form of impatience
And this he may be destroyed by the gold of the light
which never was
On land or sea.
He may be drunken to death, draining the casks of excess
That extreme form of success.
He may suffer Narcissus' destiny
Unable to live except with the image which is infatuation
Love, blind, adoring, overflowing
Unable to respond to anything which does not bring love
quickly or immediately.
...The poet must be innocent and ignorant
But he cannot be innocent since stupidity is not his strong
point
Therefore Cocteau said, "What would I not give
To have the poems of my youth withdrawn from
existence?
I would give to Satan my immortal soul."
This metaphor is wrong, for it is his immortal soul which
he wished to redeem,
Lifting it and sifting it, free and white, from the actuality of
youth's banality, vulgarity,
pomp and affectation of his early
works of poetry.
So too in the same way a Famous American Poet
When fame at last had come to him sought out the fifty copies
of his first book of poems which had been privately printed
by himself at his own expense.
He succeeded in securing 48 of the 50 copies, burned them
And learned then how the last copies were extant,
As the law of the land required, stashed away in the national capital,
at the Library of Congress.
Therefore he went to Washington, therefore he took out the last two
copies
Placed them in his pocket, planned to depart
Only to be halted and apprehended. Since he was the author,
Since they were his books and his property he was reproached
But forgiven. But the two copies were taken away from him
Thus setting a national precedent.
For neither amnesty nor forgiveness is bestowed upon poets, poetry and poems,
For William James, the lovable genius of Harvard
spoke the terrifying truth: "Your
"Darkling Summer, Ominous Dusk, Rumorous Rain"
A tattering of rain and then the reign
Of pour and pouring-down and down,
Where in the westward gathered the filming gown
Of grey and clouding weakness, and, in the mane
Of the light’s glory and the day’s splendor, gold and vain,
Vivid, more and more vivid, scarlet, lucid and more luminous,
Then came a splatter, a prattle, a blowing rain!
And soon the hour was musical and rumorous:
A softness of a dripping lipped the isolated houses,
A gaunt grey somber softness licked the glass of hours.
2
Again, after a catbird squeaked in the special silence,
And clouding vagueness fogged the windowpane
And gathered blackness and overcast, the mane
Of light’s story and light’s glory surrendered and ended — A pebble — a ring — a ringing on the pane,
A blowing and a blowing in: tides of the blue and cold
Moods of the great blue bay, and slates of grey
Came down upon the land’s great sea, the body of this day — Hardly an atom of silence amid the roar
Allowed the voice to form appeal — to call:
By kindled light we thought we saw the bronze of fall.
The Choir And Music Of Solitude And Silence -
Silence is a great blue bell
Swinging and ringing, tinkling and singing,
In measure’s pleasure, and in the supple symmetry
of the soaring of the immense intense wings
glinting against
All the blue radiance above us and within us, hidden
Save for the stars sparking, distant and unheard in their
singing.
And this is the first meaning of the famous saying,
The stars sang. They are the white birds of silence
And the meaning of the difficult famous saying that the
sons and daughters of morning sang,
Meant and means that they were and they are the children
of God and morning,
Delighting in the lights of becoming and the houses of
being,
Taking pleasure in measure and excess, in listening as in
seeing.
Love is the most difficult and dangerous form of courage.
Courage is the most desperate, admirable and noble kind of
love.
So that when the great blue bell of silence is stilled and
stopped or broken
By the babel and chaos of desire unrequited, irritated and
frustrated,
When the heart has opened and when the heart has spoken
Not of the purity and symmetry of gratification, but action
of insatiable distraction’s dissatisfaction,
Then the heart says, in all its blindness and faltering
emptiness:
There is no God. Because I am hope. And hope must be
fed.
And then the great blue bell of silence is deafened, dumbed,
and has become the tomb of the living dead.
All Night, All Night
Rode in the train all night, in the sick light. A bird
Flew parallel with a singular will. In daydream's moods and
attitudes
The other passengers slumped, dozed, slept, read,
Waiting, and waiting for place to be displaced
On the exact track of safety or the rack of accident.
Looked out at the night, unable to distinguish
Lights in the towns of passage from the yellow lights
Numb on the ceiling. And the bird flew parallel and still
As the train shot forth the straight line of its whistle,
Forward on the taut tracks, piercing empty, familiar — The bored center of this vision and condition looked and
looked
Down through the slick pages of the magazine (seeking
The seen and the unseen) and his gaze fell down the well
Of the great darkness under the slick glitter,
And he was only one among eight million riders and
readers.
And all the while under his empty smile the shaking drum
Of the long determined passage passed through him
By his body mimicked and echoed. And then the train
Like a suddenly storming rain, began to rush and thresh — The silent or passive night, pressing and impressing
The patients' foreheads with a tightening-like image
Of the rushing engine proceeded by a shaft of light
Piercing the dark, changing and transforming the silence
Into a violence of foam, sound, smoke and succession.
A bored child went to get a cup of water,
And crushed the cup because the water too was
Boring and merely boredom's struggle.
The child, returning, looked over the shoulder
Of a man reading until he annoyed the shoulder.
A fat woman yawned and felt the liquid drops
Drip down the fleece of many dinners.
And the bird flew parallel and parallel flew
The black pencil lines of telephone posts, crucified,
At regular intervals, post after post
Of thrice crossed, blue-belled, anonymous trees.
And then the bird cried as if to all of us:
0 your life, your lonely life
What have you ever done with it,
And done with the great gift of consciousness?
What will yo