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There's no redder rag for our modern, progressive Catholics than a certain religious approach to sex and Eros ranging from suspicion to open condemna… - Ida Friederike Görres
" "There's no redder rag for our modern, progressive Catholics than a certain religious approach to sex and Eros ranging from suspicion to open condemnation and branded accordingly as Manichean, neo-Platonic, Puritan, etc. Quite unacceptable. And yet in these quite obviously heretical speculations there's a barb which, even at first encounter, penetrated to the depths of my mind as the startling confirmation of something always known, and this ferment keeps on working - all the time...the idea which one finds in so many apocryphal trends of thought, i.e. that there's definitely something wrong with sex in its present form, that is, during this terrestrial aeon - something that is not sex in itself, as a whole, but some trait or quality.. Something which does not belong to original human nature, but which owes its actual existence to The Fall; in the same sense unnatural as death is unnatural and yet taken for granted, an inevitable, undeniable factor - in this fallen world.
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About Ida Friederike Görres
Ida Friederike Görres (born Elisabeth Friederike, Reichsgräfin Coudenhove-Kalergi; 2 December 1901, in Schloss Ronsperg, Bohemia – 15 May 1971, in Frankfurt am Main) was a Catholic writer. From the Coudenhove-Kalergi family, she was the daughter, one of seven children, of Count Heinrich von Coudenhove-Kalergi and his Japanese wife Mitsuko Aoyama.
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Additional quotes by Ida Friederike Görres
people run away from burdens these days. There's nothing they hate more than to be burdened or tied. This accounts for this perverse cult of youthfulness: youth is in itself the yet unburdened state - so we worship youthful looks as the sign and symbol of that craving, almost the promise of its fulfilment. But to attempt to keep it for ever only leads to sterility in every sense: monstrous perversion of youth, destined as blossom of the fruit...
In the Napoleonic Museum in Arenenberg I was rather impressed just how richly clad in the costume of Antiquity the First Empire in fact was - dressed up even comically with its laurels and eagles and togas. Return to Rome wherever you look, though of course not to the Holy Roman Empire - to Caesar's Rome. But the French Revolution itself had fallen back on more or less genuine or imaginary classical models: Brutus and Tiberius Gracchus and Gaius Gracchus, the Gracchi, consuls and Roman virtues - even these revolutionaries couldn't resolve to start from scratch with something really new.
Anyone who really carries out this existence [ of the Discalced Carmelites ] in spirit and letter must see it as a foretaste of death, of the radical and irrevocable parting from all things that make life rich, sweet and attractive. It is a venturing into death in the hope of receiving a new, mysterious life from the hand of the Lord.
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