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" "Today, if a landowner feels the urge, he can put a backhoe into his hillside pasture and disembowel it. He can set his plow against the contours and let his wealth run down into the brook and into the sea. He can sell his topsoil off by the load and make a gravel pit of a hayfield. For all the interference he will get from the community, he can dig through to China, exploiting as he goes. With an ax in his hand he can annihilate the woods, leaving brush piles and stumps. He can build any sort of building he chooses on his land in the shape of a square or an octagon or a milk bottle. Except in zoned areas he can erect any sort of sign. Nobody can tell him where to head in — it is his land and this is a free country. Yet people are beginning to suspect that the greatest freedom is not achieved by sheer irresponsibility. The earth is common ground and we are all over-lords, whether we hold title or not; gradually the idea is taking form that the land must be held in safekeeping, that one generation is to some extent responsible to the next, and that it is contrary to the public good to allow an individual, merely because of his whims or his ambitions, to destroy almost beyond repair any part of the soil or the water or even the view.
Elwyn Brooks White (July 11, 1899 – October 1, 1985) was an American essayist, columnist, poet and editor. He is best known today for his work in a writers' guide, The Elements of Style, and for three children's books Charlotte's Web, Stuart Little and The Trumpet of the Swan generally regarded as classics.
Biography information from Wikiquote
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This is the real thing. This is bedlam in bed. As Mr. Stevenson puts it: “. . . no civilization has ever had so haunting a sense of an ultimate order of goodness and rationality which can be known and achieved.” It makes me eager to rise and meet the new day, as Fred used to rise to his, with the complete conviction that through vigilance and good works all porcupines, all cats, all skunks, all squirrels, all houseflies, all footballs, all evil birds in the sky could be successfully brought to account and the scene made safe and pleasant for the sensible individual — namely, him. However distorted was his crazy vision of the beautiful world, however perverse his scheme for establishing an order of goodness by murdering every creature that seemed to him bad, I had to hand him this: he really worked at it.
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