1899 – 1985
Elwyn Brooks White (July 11, 1899 – October 1, 1985) was an American essayist, columnist, poet and editor. He is best known today for his work in a writers' guide, The Elements of Style, and for three children's books Charlotte's Web, Stuart Little and The Trumpet of the Swan generally regarded as classics.
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You goin’ to get your deer?“ I am asked by every man I meet — and they all wait for an answer. My deer-slaying program is a matter of considerable local concern, much to my surprise. It is plain that I now reside in a friendly community of killers, and that until I open fire myself they cannot call me brother.
Both tend to speak of national security as though it were still capable of being dissociated from universal well-being; in fact, sometimes in these political addresses it sounds as though this nation, or any nation, through force of character or force of arms, could damn well rise above planetary considerations, as though we were greater than our environment, as though the national verve somehow transcended the natural world.
There are roughly three New Yorks. There is, first, the New York of the man or woman who was born here, who takes the city for granted and accepts its size and its turbulence as natural and inevitable. Second, there is the New York of the commuter — the city that is devoured by locusts each day and spat out each night. Third, there is the New York of the person who was born somewhere else and came to New York in quest of something. Of these three trembling cities the greatest is the last — the city of final destination, the city that is a goal. It is this third city that accounts for New York’s high-strung disposition, its poetical deportment, its dedication to the arts, and its incomparable achievements.
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The subtlest change in New York is something people don’t speak much about but that is in everyone’s mind. The city, for the first time in its long history, is destructible. A single flight of planes no bigger than a wedge of geese can quickly end this island fantasy, burn the towers, crumble the bridges, turn the underground passages into lethal chambers, cremate the millions. The intimation of mortality is part of New York now: in the sound of jets overhead, in the black headlines of the latest edition.