E. B. White Quotes

Government is the thing. Law is the thing. Not brotherhood, not international cooperation, not security councils that can stop war only by waging it... Where does security lie, anyway — security against the thief, a bad man, the murderer? In brotherly love? Not at all. It lies in government.

This is the dream we had, asleep in our chair, thinking of Christmas in the lands of fir tree and pine, Christmas in lands of palm tree and vine, and of how the one great sky does for all places and all people. After the third great war was over (this was a curious dream), there was no more than a handful of people left alive, and the earth was in ruins and the ruins were horrible to behold. The people, the survivors, decided to meet to talk over their problem and to make a lasting peace, which is the customary thing to make after a long and exhausting war. There were eighty-three countries, and each country sent a delegate to the convention. One English-man came, one Peruvian, one Ethiopian, one Frenchman, one Japanese, and so on, until every country was represented.

New York is part of the natural world. I love the city, I love the country, and for the same reasons. The city is part of the country. When I had an apartment on East Forty-Eighth Street, my backyard during the migratory season yielded more birds than I ever saw in Maine.

When you consider that there are a thousand ways to express even the simplest idea, it is no wonder writers are under a great strain. Writers care greatly how a thing is said — it makes all the difference. So they are constantly faced with too many choices and must make too many decisions. I am still encouraged to go on. I wouldn't know where else to go.

I am a member of a party of one, and I live in an age of fear. Nothing lately has unsettled my party and raised my fears so much as your editorial, on Thanksgiving Day, suggesting that employees should be required to state their beliefs in order to hold their jobs. The idea is inconsistent with our constitutional theory and has been stubbornly opposed by watchful men since the early days of the Republic.

I have occasionally had the exquisite thrill of putting my finger on a little capsule of truth, and heard it give the faint squeak of mortality under my pressure.

An editor is a person who knows more about writing than writers do but who has escaped the terrible desire to write.

Everything in life is somewhere else, and you get there in a car.

The subtlest change in New York is something people don't speak much about but that is in everyone's mind. The city, for the first time in its long history, is destructible. A single flight of planes no bigger than a wedge of geese can quickly end this island fantasy, burn the towers, crumble the bridges, turn the underground passages into lethal chambers, cremate the millions. The intimation of mortality is part of New York now: in the sounds of jets overhead, in the black headlines of the latest edition.
All dwellers in cities must dwell with the stubborn fact of annihilation; in New York the fact is somewhat more concentrated because of the concentration of the city itself and because, of all targets, New York has a certain clear priority. In the mind of whatever perverted dreamer who might loose the lightning, New York must hold a steady, irresistible charm.

I would feel more optimistic about a bright future for man if he spent less time proving that he can outwit Nature and more time tasting her sweetness and respecting her seniority.

I was deeply impressed by Rachel Carson's Silent Spring. It may well be the book by which the human race will stand or fall.

I discovered, though, that once having given a pig an enema there is no turning back, no chance of resuming one of life's more stereotyped roles.

If the world were merely seductive, that would be easy. If it were merely challenging, that would be no problem. But I arise in the morning torn between a desire to improve (or save) the world and a desire to enjoy (or savor) the world. This makes it hard to plan the day.

A man who publishes his letters becomes a nudist — nothing shields him from the world's gaze except his bare skin. A writer, writing away, can always fix things up to make himself more presentable, but a man who has written a letter is stuck with it for all time.

All poets who, when reading from their own works, experience a choked feeling, are major. For that matter, all poets who read from their own works are major, whether they choke or not.