I'm reading George Borrow's Lavengro...and , of course, it fits perfectly into the pattern of my current reading! - Fallada and Arnold Bennett's The … - Ida Friederike Görres

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I'm reading George Borrow's Lavengro...and , of course, it fits perfectly into the pattern of my current reading! - Fallada and Arnold Bennett's The Old Wives Tale, i.e. my constant musings on the nineteenth century. I was amazed to learn from Bennett's book that in Papa's childhood you could watch an execution, which was a public entertainment, a real show, with high prices paid for windows with a good view, and the local hotels doing a roaring trade.

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About Ida Friederike Görres

Ida Friederike Görres (born Elisabeth Friederike, Reichsgräfin Coudenhove-Kalergi; 2 December 1901, in Schloss Ronsperg, Bohemia – 15 May 1971, in Frankfurt am Main) was a Catholic writer. From the Coudenhove-Kalergi family, she was the daughter, one of seven children, of Count Heinrich von Coudenhove-Kalergi and his Japanese wife Mitsuko Aoyama.

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Additional quotes by Ida Friederike Görres

I've just finished reading Shakespeare's Sonnets, that is, I've read and understood them for the first time. One passionate, desolate lament - immeasurable and inconsolable - for the waning, wasting and passing of beauty. At the same time there's something disturbingly un-Christian here - the utterly heathen, desperate keening of the dirges, the grisly dances of death, danses macabres, in which death is nothing but the end, finality - destruction, not transition.

Been reading Hardy's Return of the Native. Astonishing how moral standards have shifted over the past hundred years:shifted isn't the word - a landslide...Today the problems of these nineteenth-century novels strike us as exaggerated, as bathos, even comical - much ado about nothing. But for these people it really was a struggle with the gods, very real, menacing, dangerous gods.

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St Thomas had lots to say about the mystical quality of createdness. For him the creature is truly a mystery, a mystical reality. Sometimes this strikes me so forcibly that I shrink from crushing a gnat or plucking a blade of grass - how dare one do such a thing, except of necessity? Nothing sentimental about this - not even compassion at having to hurt things - simply awe before their Maker. I'd never dare to tear up someone else's sketch or manuscript without first asking the author's permission - unless, of course, he had asked me to do so.

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