All the past is not a diminishing road but, instead, a huge meadow which no winter ever quite touches, divided from them now by the narrow bottle-nec… - William Faulkner

When you opened the door a bell tinkled, but just once, high and clear and small in the neat obscurity above the door, as though it were gauged and tempered to make that single clear small sound so as not to wear the bell out nor to require the expenditure of too much silence in restoring it when the door opened upon the recent warm scent of baking; a little dirty child with eyes like a toy bear's and two patent-leather pigtails.

"I lied," I said. ...
"I know it," he said.
"Then do something about it. Do anything, just so it's something."
"I cant," he said.
"There aint anything to do? Not anything?"
"I didn't say that," Grandfather said. "I said I couldn't. You can."
"What?" I said. "How can I forget it? Tell me how to."
"You cant," he said. "Nothing is ever forgotten. Nothing is ever lost. It's too valuable."
"Then what can I do?"
"Live with it," Grandfather said.
"Live with it? You mean, forever? For the rest of my life? Not ever to get rid of it? Never? I cant. Dont you see that I cant?"
"Yes you can," he said. "You will. A gentleman always does. A gentleman can live through anything. He faces anything. A gentleman accepts the responsibility of his actions and bears the burden of their consequences, even when he did not himself instigate them but only acquiesced to them, didn't say No though he knew he should."

Ladies and gentlemen,

I feel that this award was not made to me as a man, but to my work - a life's work in the agony and sweat of the human spirit, not for glory and least of all for profit, but to create out of the materials of the human spirit something which did not exist before. So this award is only mine in trust. It will not be difficult to find a dedication for the money part of it commensurate with the purpose and significance of its origin. But I would like to do the same with the acclaim too, by using this moment as a pinnacle from which I might be listened to by the young men and women already dedicated to the same anguish and travail, among whom is already that one who will some day stand here where I am standing.

Our tragedy today is a general and universal physical fear so long sustained by now that we can even bear it. There are no longer problems of the spirit. There is only the question: When will I be blown up? Because of this, the young man or woman writing today has forgotten the problems of the human heart in conflict with itself which alone can make good writing because only that is worth writing about, worth the agony and the sweat.

He must learn them again. He must teach himself that the basest of all things is to be afraid; and, teaching himself that, forget it forever, leaving no room in his workshop for anything but the old verities and truths of the heart, the old universal truths lacking which any story is ephemeral and doomed - love and honor and pity and pride and compassion and sacrifice. Until he does so, he labors under a curse. He writes not of love but of lust, of defeats in which nobody loses anything of value, of victories without hope and, worst of all, without pity or compassion. His griefs grieve on no universal bones, leaving no scars. He writes not of the heart but of the glands.

Until he relearns these things, he will write as though he stood among and watched the end of man. I decline to accept the end of man. It is