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" "The first rule, then, for a good style is that the author should have something to say; nay, this is in itself almost all that is necessary.
Arthur Schopenhauer (22 February 1788 – 21 September 1860) was a German philosopher, most famous for his work The World as Will and Representation (1819).
Biography information from Wikiquote
Daher nun ist die erste, ja, schon für sich allein beinahe ausreichende Regel des guten Stils diese, dass man etwas zu sagen habe.View original quote
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The bad thing about all religions is that, instead of being able to confess their allegorical nature, they have to conceal it; accordingly, they parade their doctrines in all seriousness as true sensu proprio, and as absurdities form an essential part of these doctrines we have the great mischief of a continual fraud. Nay, what is worse, the day arrives when they are no longer true sensu proprio, and then there is an end of them; so that, in that respect, it would be better to admit their allegorical nature at once. But the difficulty is to teach the multitude that something can be both true and untrue at the same time. Since all religions are in a greater or less degree of this nature, we must recognise the fact that mankind cannot get on without a certain amount of absurdity, that absurdity is an element in its existence, and illusion indispensable; as indeed other aspects of life testify.
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For the will, as that which is common to all, is for that reason also common: consequently, every vehement emergence of will is common, i.e. it demeans us to a mere exemplar of the species.
He, who on the other hand. who wants to be altogether uncommon, that is to say great, must never let a preponderant agitation of will take his consciousness altogether, however much he is urged to do so.
He must, e.g., be able to take note of the odious opinion of another without feeling his own aroused by it: indeed, there is no surer sign of greatness than ignoring hurtful or insulting expressions by attributing them without further ado, like countless other errors, to the speaker's lack of knowledge and thus merely taking note of them without feeling them.