His gaze lit upon a lovely girl who was just crossing the street diagonally, carefully lifting her skirt as she did so as to reveal a pair of charmin… - Lou Andreas-Salomé

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His gaze lit upon a lovely girl who was just crossing the street diagonally, carefully lifting her skirt as she did so as to reveal a pair of charming little ankle boots. He had to smile about the about childish impatience of his desire to deck Marfa out like this until she too was a lovely girl -- bring her out of her dour shell. But Marfa was not coming. -- ("A Reunion"), p. 103

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About Lou Andreas-Salomé

Lou Andreas-Salomé (born either Louise von Salomé or Luíza Gustavovna Salomé or Lioulia von Salomé; 12 February 1861 – 5 February 1937) was a Russian-born psychoanalyst and a well-traveled author, narrator, and essayist from a Russian-German family. Her diverse intellectual interests led to friendships with a broad array of distinguished thinkers, including Friedrich Nietzsche, Sigmund Freud, Paul Rée, and Rainer Maria Rilke.

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Alternative Names: Louise von Salomé Luíza Gustavovna Salomé Lou Andreas-Salome Louise von Salome Luiza Gustavovna Salome
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Additional quotes by Lou Andreas-Salomé

Branhardt set aside the book he had come for. Her face, which was not beautiful and, through all those years, could have faded into banality if it hadn't borne the intimate inscription of her soul, spoke eloquently to him. He loved it as strongly and deeply as he had in his youth. But differently now, because he too bore, perhaps in harsher letters, what was also written there: the signature of life itself. (p. 17)

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The house stood on a hillside, overlooking the town in the valley and the long stretch of mountains beyond. From the country road that climbed through the hill's woods in a wide curve, you stepped right into the middle story, as if it were at ground level -- so deeply was the little, white house nestled into the slope. But perched up there it had a freer view out over the terraced garden and the broad expanse below, gazing down with many bright window-eyes and with boldly protruding bays -- extensions of original rooms that had been found too confining. This undeniably made for whimsical architecture, but it gave the house an impression of grace and lightness -- almost as if it were just resting there. (p. 1)

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