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" "I thought of my primary and secondary education. I remembered feeling crippling guilt as I silently wondered why every enslaved person couldn't simply escape like Douglass, Tubman, and Jacobs had. I found myself angered by the stories of those who did not escape. Had they not tried hard enough? Didn't they care enough to do something? Did they choose to remain enslaved? This, I now realize, is part of the insidiousness of white supremacy; it illuminates the exceptional in order to implicitly blame those who cannot, in the most brutal circumstances, attain superhuman heights. It does this instead of blaming the system, the people who built it, the people who maintained it. In overly mythologizing our ancestors, we forget an all-too-important reality: the vast majority were ordinary people, which is to say they were people just like everyone else. This ordinariness is only shameful when used to legitimate oppression. This is its own quiet violence.
Clint Smith (born August 25, 1988) is a writer, poet and scholar living in the USA. He is the author of Counting Descent and How the Word is Passed.
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And so, part of what is happening in these state legislatures across the country with regard to the effort to push back against teaching of history — 1619 Project, critical race theory and the like — is a recognition that we have developed in this country a more sophisticated understanding, a more sophisticated framework, a more sophisticated public lexicon, with which to understand how slavery — how racism was not just an interpersonal phenomenon, it was a historic one, it was a structural one, it was a systemic one. And I’m very much sympathetic — I know there’s some sentiment out there, that people are saying, “Well, we didn’t ask for Juneteenth to become a holiday. We want voting rights. We want police reform. We want abolition. We want” — and I 100% understand that. I also think that we should not undervalue what it means for Juneteenth to become a holiday, in part because then we are not valuing the work that Black activists have done over the course of decades to get there, and because while symbols are not necessarily material change, they are not irrelevant.
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The Statue of Liberty is an extension of a tradition that seems to embody the contradictions in America's promise, and a reminder that its promises have not always been extended to us. As the narrator in James Baldwin's 1960 short story "This Morning, This Evening, So Soon" puts it, "I would never know what this statue meant to others, she had always been an ugly joke for me."