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My research was going to be substantive, thorough and deliciously juicy and it would preoccupy me for the next few years. But, I was confounded by th… - Bibi Bakare-Yusuf
" "My research was going to be substantive, thorough and deliciously juicy and it would preoccupy me for the next few years. But, I was confounded by the empty bookshelves or lack thereof, in the middle-class homes I visited. As an avid reader who loved to talk about books, I looked into people’s shelves to get a sense of who they are and more importantly, their politics. Instead, many of the places I visited had empty bookshelves or when stocked at all, were filled with business, religious and self-help motivational books with titles like: ‘The Purpose Driven Life’, ‘Chicken Soup for the Soul’, ‘Rich Dad, Poor Dad’. And the few times I spotted fiction it was Dan Brown or John Grisham.
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About Bibi Bakare-Yusuf
Bibi Bakare-Yusuf Hon. FRSL (born 1970) is a Nigerian academic, writer and editor from Lagos, Nigeria. She is the co-founder of the publishing company Cassava Republic Press in 2006 in Abuja. Bakare-Yusuf was elected an Honorary Fellow of the Royal Society of Literature in 2019, as well as having been selected as a Yale World Fellow, a Desmond Tutu Fellow and a Frankfurt Book Fair Fellow.
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Additional quotes by Bibi Bakare-Yusuf
Really, I thought to myself, how do you build a civilisation or ignite the imagination based on such a meagre diet of Euro-American airport fiction and self-help books? Yes, I am judging! Where is the counter-balance? I wondered why Amos Tutuola, Mariama Ba, Bessie Head, Aminatta Forna, Zaynab Alkali, Paulin Hountondji, D.O. Fagunwa, Bernardine Evaristo or Ben Okri were missing from these shelves. These emptied of spirit bookshelves, this erasure of African voices and vibrancy from view became the inspiration to set up a publishing company, Cassava Republic Press.
So, we have to stop thinking of the archive merely as that which is past, we have to think of it simultaneously as past, present and future. We have to think of the archive as a curation of knowledge, experience and worlds in the now, to help order a past for the purpose of the future. We have to understand that the archive and its curation is always caught up in regimes of power and control.
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Will they find only the record of African writing that has been served up from the conveyor belt of large corporate and indie publishing houses of western metropolis? Will some of the mediocre writing that is currently being peddled as the pinnacle of African excellence and genius by the legitimatising authority of the west be the only thing they have to subsist on and account for as our own contribution to civilisation and to the global archive of ideas? Or will they only find the realist tradition of writing bequeathed to us from the Achebe generation?
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