Through ignorance, through faith, through intelligence, through trickery and cunning, through illumination, the reader rewrites the text with the same words of the original but under another heading, re-creating it, as it were, in the very act of bringing it into being.

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The American psychologist Julian Jaynes, in a controversial study on the origin of consciousness, argued that the bicameral mind - in which one of the hemispheres becomes specialized in silent reading - is a late development in humankind's evolution, and that the process by which this function develops is still changing.

I had done this all by myself. No one had performed the magic for me. I and the shapes were alone together, revealing themselves in a silently respectful dialogue. Since I could bare lines into living reality, I was all powerful. I could read.

At different times and in different places I have come to expect certain books to look a certain way, and, as in all fashions, these changing features fix a precise quality onto a book's definition. I judge a book by its cover; I judge a book by its shape.

It is in the translation that the innocence lost after the first reading is restored under another guise, since the reader is once again faced with a new text and its attendant mystery. That is the inescapable paradox of translation, and also its wealth.