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" "Sculpture is not a self-declaration but a voice of and for my people—over all, a rich fabric; under all, the dynamism of the African American people.
Richard Hunt (sculptor) (born September 12, 1935) is an American sculptor. In the second half of the 20th century, he became "the foremost African-American abstract scul ptor and artist of public sculpture." Hunt studied at the School of the Art Institute of Chicago in the 1950s. While there received multiple prizes for his work. In 1971, he was the first African American sculptor to have a retrospective at the Museum of Modern Art. Hunt has created over 160 public sculpture commissions, more than any other sculptor in prominent locations in 24 states across the United States. With a career spanning seven decades, Hunt has held over 170 solo exhibitions and is represented in more than 125 public museums across the world.
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I have always been interested in the concept of freedom on the personal and universal levels: political freedom, freedom to think and to feel. As an African American living in the United States, obviously issues like segregation laws, the civil rights movement in the 1960s or South Africa have been on my mind when I have dealt with the concept of freedom. But freedom also relates to my career as an artist: freedom of mind, thought and imagination. On the artistic level, freedom was a significant principle in the earlier art movements, such as Surrealism or Abstract Expressionism. More recently, public art focuses on the issue of universal freedom.
Trees have long been my metaphor, symbolic of my inner and outer growth—the taproot delving deep into my conscious and subconscious, the origins of my art, life, and family; peripheral roots branching out into other communities, cultures, a cosmos of interweaving inter- actions; a trunk and branches reaching up and out beyond their tips, leaves, fruit, falling here and there.