Lars von Trier’s Melancholia, I think, it’s a basically, I’m not kidding, optimistic film, even as we know at the end the planet Melancholia hits the… - Slavoj Žižek

Khrushchev’s wager was that his (limited) confession would strengthen the communist movement – and in the short term he was right. One should always remember that the Khrushchev era was the last period of authentic communist enthusiasm, of belief in the communist project. When, during his visit to the United States in 1959, Khrushchev made his famous defiant statement to the American public that ‘your grandchildren will be communists’, he effectively spelled out the conviction of the entire Soviet nomenklatura. After his fall in 1964, a resigned cynicism prevailed, up until Gorbachev’s attempt at a more radical confrontation with the past (the rehabilitations then included Bukharin, but – for Gorbachev at least – Lenin remained the untouchable point of reference, and Trotsky continued to be a non-person).

This is probably the fundamental dimension of 'ideology': ideology is not simply a 'false consciousness', an illusory representation of reality, it is rather this reality itself which is already to be conceived as 'ideological' - 'ideological' is a social reality whose very existence implies the non-knowledge of its participants as to its essence -that is, the social effectivity, the very reproduction of which implies that the individuals 'do not know what they are doing'. 'Ideological is not the false consciousness of a (social) being but this being itself in so far as it is supported by "false consciousness"'. Thus we have finally reached the dimension of the symptom, because one of its possible definitions would also be 'a formation whose very consistency implies a certain non-knowledge on the part of the subject': the subject can 'enjoy his symptom' only in so far as its logic escapes him - the measure of the success of its interpretation is precisely its dissolution.

'Father, why is the sky blue?' - the child is not really interested in the sky as such; the real stake of the question is to expose father's impotence, his helplessness in the face of the hard fact, to present the whole chain of reasons leading to it. The blue of the sky thus becomes not only the father's problem, but in a way even his fault. The sky is blue, and you're just staring at it like an idiot incapable of doing anything about it!