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" "Consider this account from the Ojibwa, a Native American people: The star with the long, wide tail is going to destroy the world some day when it comes low again. That's the comet called Long-Tailed Heavenly Climbing Star. It came down here once, thousands of years ago. Just like the sun. It had radiation and burning heat in its tail. The comet burned everything to the ground. There wasn't a thing left. Indian people were here before that happened, living on the earth. But things were wrong; a lot of people had abandoned the spiritual path. The holy spirit warned them a long time before the comet came. Medicine men told everyone to prepare. Things were wrong with nature on the earth … Then that comet went through here. It had a long, wide tail and it burned up everything. It flew so low the tail scorched the earth … The comet made a different world. After that survival was hard work. The weather was colder than before
Graham Hancock (born 2 August 1950) is a British writer who promotes pseudoarchaeological and other pseudoscientific theories involving ancient civilizations and hypothetical lost lands. He has been the subject of the Netflix series Ancient Apocalypse (2022).
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Then there's the pillar statue in the semi-subterranean temple at Tiahuanaco [Bolivia]. Like the Totem Pole of Göbekli Tepe, it is anthropomorphic. Like the Totem Pole at Göbekli Tepe, it has serpents writhing up its side. Like the Totem Pole at Göbekli Tepe, the long fingers of its hands almost meet in front of its body. The face is human not animal, however, and it's heavily bearded. Nonetheless, the figure of an animal is carved on the side of its head and this animal resembles no known species more closely than it does Toxodon, a sort of New World rhino that went extinct during the cataclysms at the end of the Ice Age around 12,000 years ago. This isn't pareidolia — the figure is definitely there. So there's only one question — and it's difficult to answer: is this a depiction of Toxodon, or is it some creature of the artist's imagination?
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No, the problem at Göbekli Tepe is the pristine, sudden appearance, like Athena springing full-grown and fully armed from the brow of Zeus, of what appears to be an already seasoned civilization so accomplished that it “invents” both agriculture and monumental architecture at the apparent moment of its birth.