British author who promotes pseudoscientific theories
Graham Hancock (born 2 August 1950) is a British writer who promotes pseudoarchaeological and other pseudoscientific theories involving ancient civilizations and hypothetical lost lands. He has been the subject of the Netflix series Ancient Apocalypse (2022).
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Human history has become too much a matter of dogma taught by 'professionals' in ivory towers as though it's all fact. Actually, much of human history is up for grabs. The further back you go, the more that the history that's taught in the schools and universities begins to look like some kind of faerie story.
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Our pollution and neglect of the majestic garden of the earth, our rape of its resources, our abuse of the oceans and the rainforests, our fear, hatred and suspicion of one another multiplied by a hundred bitter regional and sectarian conflicts, our consistent track record of standing by and doing nothing while millions suffer, our ignorant, narrow-minded racism, our exclusivist religions, our forgetfulness that we are all brothers and sisters, our bellicose chauvinism, the dreadful cruelties that we indulge in, in the name of nation, or faith, or simple greed, our obsessive, competitive, ego-driven production and consumption of material goods and the growing conviction of many, fuelled by the triumphs of materialist science, that matter is all there is – that there is no such thing as spirit, that we are just accidents of chemistry and biology – all these things, and many more, in mythological terms at least, do not look good for us.
Another point of interest about the Tiahuanaco [in Bolivia] monoliths is that their garments from the waist down are patterned in the form of fish scales. Here, too, is a parallel to the Apkallus — the bearded, "fish-garbed figures" who brought high civilization to Mesopotamia [...]. Nor is it as though bearded figures are missing from the repertoire of Tiahuanaco. Two have survived, and one on the pillar in the semi-subterranean temple has been identified since time immemorial with the great civilizing deity Kon-Tiki Viracocha, [...] who is described in multiple myths and traditions as being white skinned and bearded.
If the normal portolano is indeed derived from the lost atlas of Marinus of Tyre, then it follows that other high-quality maps of regions much further afield than the Mediterranean and the Black Sea, and indeed a world map, might also have been preserved by the Arabs — for we know from Ptolemy's testimony that other Marinus maps, including a world map, did once exist. It will therefore do no harm to keep an open mind to the possibility that the portolan world maps that began to appear during the century after the Carta Pisane, might also have been influenced by earlier 'Tyrian sea-fish' maps of Phoenician origin. Christopher Columbus, whose passionate belief in lands across the Atlantic lead to his 'discovery' of the New World, seems to hint at a Phoenician connection when he describes one of the inspirations for his journey:
'Aristotle in his book On Marvellous Things reports a story that some Carthaginian merchants sailed over the Ocean Sea to a very fertile island ... this island some Portuguese showed me on their charts under the name Antilia.'
Antilia first appears on a portolan chart of 1424. It is a mysterious presence there, a riddle.
After the first Neanderthal skeletal remains were identified in Europe in the nineteenth century it was, for a very long while, one of the fundamental unquestioned assumptions of archaeology, a matter taken to be self-evidently true, that other "older", "less-evolved" human species never attained, or even in their wildest dreams could hope to aspire, to the same levels of cultural development as Homo sapiens. During more than a century of subsequent analysis, and despite multiple additional discoveries, the Neanderthals continued to be depicted as nothing more than brutal, shambling, stupid subhumans—literally morons by comparison with ourselves. Since the beginning of the second decade of the twenty-first century, however, and with increasing certainty as the evidence has become overwhelming, a new "image" of the Neanderthals as sensitive, intelligent, symbolic, and creative beings capable of advanced thought processes and technological innovations has taken root among archaeologists and is set to become the ruling paradigm.
Descriptions of a killer global flood that inundated the inhabited lands of the world turn up everywhere amongst the myths of antiquity. In many cases these myths clearly hint that the deluge swept away an advanced civilization that had somehow angered the gods, sparing 'none but the unlettered and the uncultured' and obliging the survivors to 'begin again like children in complete ignorance of what happened ... in early times'. Such stories turn up in Vedic India, in the pre-Columbian Americas, in ancient Egypt. They were told by the Sumerians, the Babylonians, the Greeks, the Arabs and the Jews. They were repeated in China and south-east Asia, in prehistoric northern Europe and across the Pacific. Almost universally, where truly ancient traditions have been preserved, even amongst mountain peoples and desert nomads, vivid descriptions have been passed down of global floods in which the majority of mankind perished.
At present there are only two land-based cranes in the world that could lift weights of this magnitude. At the very frontiers of construction technology, these are both vast, industrialized machines, with booms reaching more than 220 feet into the air, which require on-board counterweights of 160 tons to prevent them from tipping over. The preparation-time for a single lift is around six weeks and calls for the skills of specialized teams of up to 20 men.13 In other words, modern builders with all the advantages of high-tech engineering at their disposal, can barely hoist weights of 200 tons. Was it not, therefore, somewhat surprising that the builders at Giza had hoisted such weights on an almost routine basis?
The black mat formed on top of the layer of proxies,' Allen replies. 'Down here it has a lot of charcoal in it. But it also has algal remains so it's not just fire. The Younger Dryas changed the climate and made the area much wetter. Algae began to grow along the edges of the lakes.' He puts a hand on the black stripe along the arroyo wall: 'So the remains of about 1,000 years of dead algae, charcoal, and a lot of other stuff are all embedded in here, and at the bottom of it, where the impact happened, we find iridium, platinum, and a layer of melted spherules where the temperatures must have been so high that they would have melted a modern car into a pool of metal.
Consider this account from the Ojibwa, a Native American people: The star with the long, wide tail is going to destroy the world some day when it comes low again. That's the comet called Long-Tailed Heavenly Climbing Star. It came down here once, thousands of years ago. Just like the sun. It had radiation and burning heat in its tail. The comet burned everything to the ground. There wasn't a thing left. Indian people were here before that happened, living on the earth. But things were wrong; a lot of people had abandoned the spiritual path. The holy spirit warned them a long time before the comet came. Medicine men told everyone to prepare. Things were wrong with nature on the earth … Then that comet went through here. It had a long, wide tail and it burned up everything. It flew so low the tail scorched the earth … The comet made a different world. After that survival was hard work. The weather was colder than before
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