It is not inertia alone that is responsible for human relationships repeating themselves from case to case, indescribably monotonous and unrenewed: i… - Rainer Maria Rilke

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It is not inertia alone that is responsible for human relationships repeating themselves from case to case, indescribably monotonous and unrenewed: it is shyness before any sort of new, unforeseeable experience with which one does not think oneself able to cope. But only someone who is ready for everything, who excludes nothing, not even the most enigmatical will live the relation to another as something alive.

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About Rainer Maria Rilke

René Karl Wilhelm Johann Josef Maria Rilke (4 December 1875 – 29 December 1926), better known as Rainer Maria Rilke, was a Bohemian-Austrian poet and novelist, generally considered the German language's greatest poet of the 20th century. His writings include one novel, several collections of poetry and several volumes of correspondence in which he invokes images that focus on the difficulty of communion with the ineffable in an age of disbelief, solitude and anxiety. These themes position him as a transitional figure between traditional and modernist writers.

Biography information from Wikiquote

Also Known As

Alternative Names: René Karl Wilhelm Johann Josef Maria Rilke René Maria Cäsar Rilke Rainer Karl Wilhelm Johann Josef Maria Rilke Li-erh-kʻo Rainer Maria Rielke René Rilke Rainer Mariyah Rilḳeh Rainŏ Maria Rilkʻe Reiner Marie Rilke Rene Karl Wilhelm Johann Josef Maria Rilke Rene Rilke
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Additional quotes by Rainer Maria Rilke

That’s love: Two lonely persons keep each other safe and touch each other and talk to each other.

Wie soll ich meine Seele halten, daß sie nicht an deine rührt? Wie soll ich sie hinheben über dich zu andern Dingen? Ach gerne möchte ich sie bei irgendetwas Verlorenem im Dunkel unterbringen an einer fremden stillen Stelle, die nicht weiterschwingt, wenn diene Tiefen schwingen. Doch alles, was uns anrührt, dich und mich, nimmt uns zusammen wie ein Bogenstrich, die aus zwei Saiten eine Stimme zieht. Auf welches Instrument sind wir gespannt? Und welcher Geiger hat uns in der Hand? O süßes Lied.

Mein Gott, fiel es mir mit Ungestüm ein, so bist du also. Es giebt Beweise für deine Existenz. Ich habe sie alle vergessen und habe keinen je verlangt, denn welche unge heuere Verpflichtung läge in deiner Gewißheit. Und doch, nun wird mirs gezeigt.

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