Silence is more eloquent than words. - Thomas Carlyle

Behold therefore, this England of the Year 1200 was no chimerical vacuity or dreamland, peopled with mere vaporous Fantasms, Rymer's Foedera, and Doctrines of the Constitution, but a green solid place, that grew corn and several other things. The Sun shone on it; the vicissitude of seasons and human fortunes. Cloth was woven and worn; ditches were dug, furrowfields ploughed, and houses built. Day by day all men and cattle rose to labour, and night by night returned home weary to their several lairs. In wondrous Dualism, then as now, lived nations of breathing men; alternating, in all ways, between Light and Dark; between joy and sorrow, between rest and toil, between hope, hope reaching high as Heaven, and fear deep as very Hell. Not vapour Fantasms, Rymer's Foedera at all!

The more I reflect on it, the more I must admire how completely nature had taught him; how completely he was devoted to his work, to the task of his life, and content to let all pass by unheeded that had not relation to this. It is a singular fact, for example, that though a man of such openness and clearness, he had never, I believe, read three pages of Burns's poems. Not even when all about him became noisy and enthusiastic, I the loudest, on that matter, did he feel it worth while to renew his investigation of it, or once turn his face towards it. The poetry he liked (he did not call it poetry) was truth, and the wisdom of reality. Burns, indeed, could have done nothing for him. As high a greatness hung over his world as over that of Burns — the ever-present greatness of the Infinite itself. Neither was he, like Burns, called to rebel against the world, but to labor patiently at his task there, uniting the possible with the necessary to bring out the real, wherein also lay an ideal.

The suffering man ought really 'to consume his own smoke'; there is no good in emitting smoke till you have made it into fire, — which, in the metaphorical sense too, all smoke is capable of becoming!