I would like to be able to convey to you the sound of dead voices, to break open this unbearable tomb of sound, to wrest something more than silhouet… - Jean Cocteau

The amazing advance public attention to this film is surely due not so much to us (I mean to the curiosity our undertaking arouses) as to that Beauty and Beast we thrilled over as children. Happily, there is some remnant of childhood in this jaded public. It is this childhood we must reach. It is the incredulous reserve of the adults that we must overcome.

It is dangerous not to conform with people's image of us, because they do not readily retract their opinions.

Last month, coming out of the Rue d'Athènes, where they were showing Le Sang d'un Poète, I told Gide that I couldn't bear to see the film again because each shot is so slow. He replied that I was wrong, that this slowness was a rhythm, and that these slow shots coming one after another formed a special tempo, my tempo, a procedure of my own.
No doubt he's right, and it would be dangerous to upset a rhythm that comes from within oneself, through fear of this rhythm, and to impose another, artificial, one which would not suit it.